Interpreting Popular Music

1. Auflage, With a new preface by the author 2000
ISBN: 978-0-520-22541-1
Verlag: University Of California Press

Buch, Englisch, 275 Seiten, Trade Paperback, Format (B × H): 152 mm x 228 mm, Gewicht: 449 g

There is a well-developed vocabulary for discussing classical music, but when it comes to popular music, how do we analyze its effects and its meaning? David Brackett draws from the disciplines of cultural studies and music theory to demonstrate how listeners form opinions about popular songs, and how they come to attribute a rich variety of meanings to them. Exploring several genres of popular music through recordings made by Billie Holiday, Bing Crosby, Hank Williams, James Brown, and Elvis Costello, Brackett develops a set of tools for looking at both the formal and cultural dimensions of popular music of all kinds.

Autoren/Hrsg.

Brackett, David

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musiktheorie, Musikästhetik, Kompositionslehre
• Geisteswissenschaften Musikwissenschaft Musikgattungen Jazz

Inhaltsverzeichnis

Preface

1 Introduction
Prelude
I. Codes and competences
II. Who is the author?
III. Musicology and popular music
IV. Postlude

2 Family values in music? Billie Holiday's and Bing Crosby's
"I'll Be Seeing You"
I. A tale of two (or three) recordings
II. Critical discourse
III. Biographical discourse
IV. Style and history
V. Performance, effect, and affect

3 When you're lookin' at Hank (you're looking at country)
I. Lyrics, metanarratives, and the great authenticity debate
II. Sound, performance, gender, and the hanky-tonk
III. "A feeling called the blues"
IV. The emergence of "country-western"

4 James Brown's "Superbad" and the double-voiced utterance
I. The discursive space of black music
II. Signifyin(g)-words and performance
III. Musical signifyin(g)

5 Writing, music, dancing, and architecture in Elvis Costello's
"Pills and Soap"
I. The "popular aesthetic"
II. Style and aesthetics
III. Interpretation and (post)modern pop
IV. A question of influence

6 Afterword: the citizens of Simpleton

Appendix
A. Reading the spectrum photos
B. Registral terminology

Notes
Bibliography
Select discography
Index

Über Autor(innen)

David Brackett is Assistant Professor of Music at SUNY, Binghamton.