Buch, Englisch, 240 Seiten, Format (B × H): 208 mm x 274 mm, Gewicht: 816 g
Reihe: Art History Special Issues
Global Contexts
Buch, Englisch, 240 Seiten, Format (B × H): 208 mm x 274 mm, Gewicht: 816 g
Reihe: Art History Special Issues
ISBN: 978-1-119-00403-5
Verlag: Wiley
* This fascinating collection of original essays has been compiled by a group of leading scholars
* Challenges the prejudice of imitation in art by bringing to bear a perspective that reveals the ubiquity of the practice of imitation across cultural and geographical borders
* Brings light to a broad range of areas, some of which have been little researched in the past
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
6 Notes on Contributors
8 Chapter 1 Why Imitation, and Why Global?
Paul Duro
30 Chapter 2 Post-Western Poetics: Postmodern Appropriation Art in Australia
Ian McLean
50 Chapter 3 Essentially the Same: Eduardo Costa's Minimal Differences and Latin American Conceptualism
Patrick Greaney
68 Chapter 4 Like Father, Like Son: Bernini's Filial Imitation of Michelangelo
Carolina Mangone
90 Chapter 5 Navajo Sandpainting in the Age of Cross-Cultural Replication
Janet Catherine Berlo
110 Chapter 6 Copying and Theory in Edo-Period Japan (1615-1868)
Kazuko Kameda-Madar
130 Chapter 7 Original Imitations for Sale: Dafen and Artistic Commodification
Vivian Li
146 Chapter 8 The Temporal Logic of Citation in Chinese Painting
Martin J. Powers
166 Chapter 9 Ingemination
Richard Shiff
186 Chapter 10 The Image Valued 'As Found' and the Reconfiguring of Mimesis in Post-War Art
Alex Potts
208 Chapter 11 History Lessons: Imitation, Work and the Temporality of Contemporary Art
Jonathan Bordo
229 Index