Frueh, J: Erotic Faculties

1. Auflage 2022
ISBN: 978-0-520-30143-6
Verlag: The University of California Press

Buch, Englisch, 228 Seiten, Trade Paperback, Format (B × H): 156 mm x 234 mm

The erotic and the intellectual come together to create a new kind of criticism in the lushly written work of Joanna Frueh. Addressing sexuality in ways that are usually hidden or left unsaid, Frueh—a noted performance artist and art historian—explores subjects such as aging, beauty, love, sex, pleasure, contemporary art, and the body as a site and vehicle of knowledge. Frueh's language is explicit, graphic, fragmented. She assumes multiple voices: those of lover, prophet, daughter, mythmaker, art critic, activist, and bleeding heart. What results is an utterly original narrative that frees us from the false objectivity of traditional critical discourse and affirms the erotic as a way to ease human suffering.Through personal reflection, parody, autobiography, and poetry, Frueh shows us what it means to perform criticism, to personalize critical thinking. Rejecting postmodern, deconstructed prose, she recuperates the sentimental, proudly asserts a romantic viewpoint, and disrupts academic and feminist conventions. Erotic Faculties seeks to free the power of our unutilized erotic faculties and to expand the possibilities of criticism; it is a wild ride and a consummate pleasure.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996.

Autoren/Hrsg.

Frueh, Joanna

Fachgebiete

• Geisteswissenschaften Kunst Künstlerische Stoffe, Motive, Themen Erotische Kunst

Über Autor(innen)

Joanna Frueh is an art historian and performance artist who is Professor of Art History Emerita at the University of Nevada, Reno. She is the author of Hannah Wilke: A Retrospective and coeditor of Feminist Art Criticism: An Anthology and New Feminist Criticism: Art, Identity, Action.