Buch, Englisch, 248 Seiten, Print PDF, Format (B × H): 156 mm x 234 mm
Buch, Englisch, 248 Seiten, Print PDF, Format (B × H): 156 mm x 234 mm
ISBN: 978-1-84383-055-9
Verlag: BOYDELL PR
A case study of the meaning and purpose of pilgrimage, based on the image of the 'scarred Virgin', Our Lady of Czestochowa.
The tradition of pilgrimage to an image is so well-established as to be taken for granted. Throughout Christian history large numbers of people have made journeys to images associated with miracles, yet the phenomenon has never been a subject of detailed scholarly scrutiny. This book explores the issue through a case study of the origins of pilgrimage to one such image, Our Lady of Czestochowa in Poland. The shrine remains one of the most prominent pilgrimage destinations in the Catholic world: the striking focal panel painting shows the Virgin Mary with an apparently scarred face, and the legend of the picture's origin claims that it was painted by St Luke and desecrated by iconoclasts. The author assesses the significance of the stories attached to the shrine, and goes beyond them to consider the practices and responses of the pilgrims. Drawing on the earliest surviving miracle collections, he also explores the interaction between the pilgrims and the image of the 'scarred' Virgin. ROBERT MANIURA is Lecturer in the History of Renaissance Art, Birkbeck College, University of London.
Maniura
PILGRIMAGE TO IMAGES IN THE 15 jetzt bestellen!
The tradition of pilgrimage to an image is so well-established as to be taken for granted. Throughout Christian history large numbers of people have made journeys to images associated with miracles, yet the phenomenon has never been a subject of detailed scholarly scrutiny. This book explores the issue through a case study of the origins of pilgrimage to one such image, Our Lady of Czestochowa in Poland. The shrine remains one of the most prominent pilgrimage destinations in the Catholic world: the striking focal panel painting shows the Virgin Mary with an apparently scarred face, and the legend of the picture's origin claims that it was painted by St Luke and desecrated by iconoclasts. The author assesses the significance of the stories attached to the shrine, and goes beyond them to consider the practices and responses of the pilgrims. Drawing on the earliest surviving miracle collections, he also explores the interaction between the pilgrims and the image of the 'scarred' Virgin. ROBERT MANIURA is Lecturer in the History of Renaissance Art, Birkbeck College, University of London.
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Christentum, Christliche Theologie Praktische Theologie Christliche Spiritualität, Christliche Mystik
- Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Geschichte einzelner Länder Europäische Länder
- Geisteswissenschaften Christentum, Christliche Theologie Praktische Theologie Liturgik, Christliche Anbetung, Sakramente, Rituale, Feiertage
- Geisteswissenschaften Geschichtswissenschaft Alte Geschichte & Archäologie Frühchristliche, byzantinische Archäologie
- Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Religionssoziologie
- Geisteswissenschaften Kunst Künstlerische Stoffe, Motive, Themen Künstlerische Stoffe, Motive, Themen: Religiöse Themen
- Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Kultur- und Ideengeschichte
- Geisteswissenschaften Christentum, Christliche Theologie Kirchengeschichte
- Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: Renaissance, Manierismus
- Geisteswissenschaften Religionswissenschaft Religionswissenschaft Allgemein Religionssoziologie und -psychologie, Spiritualität, Mystik
- Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: Völkerwanderung und Mittelalter
- Geisteswissenschaften Kunst Kunstformen, Kunsthandwerk Malerei: Gemälde
- Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Europäische Geschichte
- Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: Byzantinisch
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