Overview
- Presents the first gendered perspective on the hybrid experience in the Caribbean performative imaginary
- Discusses inherent sexism in the representation of identity in Indo-Caribbean performance industry
- Traces the evolution of racial and cultural identity formation in the Caribbean plays
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Table of contents (6 chapters)
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Front Matter
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Back Matter
Keywords
About this book
This book offers an exploration of the postcolonial hybrid experience in anglophone Caribbean plays and performance from a feminist perspective.
In a hitherto unattempted consideration of Caribbean theatre and performance, this study of gendered identities chronicles the postcolonial hybrid experience – and how it varies in the context of questions of sex, performance and social designation. In the process, it examines the diverse performances of the anglophone Caribbean. The work includes works by Caribbean anglophone playwrights like Derek Walcott, Mustapha Matura, Michael Gikes, Dennis Scott, Trevor Rhone, Earl Lovelace and Errol John with more recent works of Pat Cumper, Rawle Gibbons and Tony Hall. The study would also engage with Carnival, calypso and chutney music, while commenting on its evolving influences over the hybrid imagination.
Each section covers the dominant socio-political thematics associated with the tradition and its effect on it, followed by an analysis of contemporaneously significant literary and cultural works – plays, carnival narrative and calypso and chutney lyrics as well as the experiences of performers. From Lovelace’s fictional Jestina to the real-life Drupatee, the book critically explores the marginalization of female performances while forming a hybrid identity.
Authors and Affiliations
About the author
Shrabani Basu is an Assistant Professor of English at Deshabandhu Mahavidyalaya, Chittaranjan, India. She holds PhD, MPhil and MA degrees from The English and Foreign Languages (EFL) University, Hyderabad. Her doctoral research focused on Caribbean performance studies. In recent years, she has shifted her focus to experiences of horror in the postcolonial realm. She predominantly publishes on postcolonial feminism.
Bibliographic Information
Book Title: Gendered Identity and the Lost Female
Book Subtitle: Hybridity as a Partial Experience in the Anglophone Caribbean Performances
Authors: Shrabani Basu
DOI: https://doi.org/10.1007/978-981-19-4967-8
Publisher: Palgrave Macmillan Singapore
eBook Packages: Literature, Cultural and Media Studies, Literature, Cultural and Media Studies (R0)
Copyright Information: The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Singapore Pte Ltd. 2022
Hardcover ISBN: 978-981-19-4966-1Published: 01 September 2022
Softcover ISBN: 978-981-19-4969-2Published: 02 September 2023
eBook ISBN: 978-981-19-4967-8Published: 31 August 2022
Edition Number: 1
Number of Pages: IX, 246
Number of Illustrations: 1 b/w illustrations
Topics: Media and Communication, Gender Studies, Performing Arts, Latin American/Caribbean Literature, Theatre Industry, Postcolonial Philosophy