Overview
- Runner-up of the 2018-2019 Norman McLaren/Evelyn Lambart Award for Best Scholarly Book in Animation
- The first monograph dedicated to early British animation
- Presents exhaustive archival research and close analysis of extant films providing a rich new history
- Introduces a new critical framework that emphasises the spectator and their perceptual processes
- Opens dialogue with wider theories of modernism and modernity
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Table of contents (8 chapters)
Keywords
About this book
Reviews
“Cook’s impressively researched book fills a major gap in our knowledge of silent British cinema, but it also does so much more than this. There are dazzlingly original ideas here—about the concept of artists’ films, the theatrical lineageof animated cartoons, and the engagement of mainstream entertainment with profound questions about perception and cognition—that should be read by everyone interested in the broader history of animation and debates about cinema and modernity.” (Jon Burrows, University of Warwick, UK)
Authors and Affiliations
About the author
Malcolm Cook is Lecturer in Film at the University of Southampton, UK.
Bibliographic Information
Book Title: Early British Animation
Book Subtitle: From Page and Stage to Cinema Screens
Authors: Malcolm Cook
DOI: https://doi.org/10.1007/978-3-319-73429-3
Publisher: Palgrave Macmillan Cham
eBook Packages: Literature, Cultural and Media Studies, Literature, Cultural and Media Studies (R0)
Copyright Information: The Editor(s) (if applicable) and The Author(s) 2018
Hardcover ISBN: 978-3-319-73428-6Published: 23 May 2018
Softcover ISBN: 978-3-030-08787-6Published: 15 January 2019
eBook ISBN: 978-3-319-73429-3Published: 04 May 2018
Edition Number: 1
Number of Pages: XV, 282
Number of Illustrations: 18 b/w illustrations, 4 illustrations in colour
Topics: Animation, British Cinema and TV, Arts