Shank, B: A Token of My Affection

Erscheinungsjahr 2006
ISBN: 978-0-231-11879-8
Verlag: Columbia University Press

Buch, Englisch, 368 Seiten, Print PDF, Format (B × H): 152 mm x 210 mm, Gewicht: 440 g

Reihe: Popular Cultures, Everyday Lives

Each year in the United States, millions of mass-produced greeting cards proclaim their occasional messages: "For My Loving Daughter," "On the Occasion of Your Marriage," and "It's a Boy!" For more than 150 years, greeting cards have tapped into and organized a shared language of love, affection, and kinship, becoming an integral part of American life and culture. Contemporary incarnations of these emotional transactions performed through small bits of decorated paper are often dismissed as vacuous clichés employing worn-out stereotypes. Nevertheless, the relationship of greeting cards to systems of material production is well worth studying and understanding, for the modern greeting card is the product of an industry whose values and aims seem to contradict the sentiments that most cards express. In fact, greeting cards articulate shifting forms of love and affiliation experienced by people whose lives have been shaped by the major economic changes of the late nineteenth and twentieth centuries. A Token of My Affection shows in fascinating detail how the evolution of the greeting card reveals the fundamental power of economic organization to enable and constrain experiences of longing, status, desire, social connectedness, and love and to structure and partially determine the most private, internal, and intimate of feelings.

Beautifully illustrated, A Token of My Affection follows the development of the modern greeting card industry from the 1840s, as a way of recovering that most elusive of things the emotional subjectivity of another age. Barry Shank charts the evolution of the greeting card from an afterthought to a traditional printing and stationery business in the mid-nineteenth century to a multibillion-dollar industry a hundred years later. He explains what an industry devoted to emotional sincerity means for the lives of all Americans. Blending archival research in business history with a study of surviving artifacts and a literary analysis of a broad range of relevant texts and primary sources, Shank demonstrates the power of business to affect love and the ability of love to find its way in the marketplace of consumer society.

Autoren/Hrsg.

Shank, Barry

Fachgebiete

• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Kulturwissenschaften
• Wirtschaftswissenschaften Wirtschaftssektoren & Branchen Medien-, Informations und Kommunikationswirtschaft Druckindustrie, Verpackungsindustrie
• Wirtschaftswissenschaften Volkswirtschaftslehre Volkswirtschaftslehre Allgemein Geschichte der VWL
• Wirtschaftswissenschaften Wirtschaftswissenschaften Wirtschaftsgeschichte
• Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Freizeitsoziologie, Konsumsoziologie, Alltagssoziologie, Populärkultur
• Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Wirtschaftsgeschichte

Inhaltsverzeichnis

List of IllustrationsAcknowledgmentsIntroduction: Structured Feelings amid Circulations of the Heart1. Vicious Sentiments: Nineteenth-Century Valentines and the Sentimental Production of Class Boundaries2. The Nineteenth-Century Christmas Card: The Chromo-Reproduction of Sentimental Value3. Corporate Sentiment: The Rise of the Twentieth-Century Greeting Card Industry and the American Culture of Business4. Condensation, Displacement, and Masquerade: The Dream-Work of Greeting Cards5. Knitting the Social Lace: The Use of Greeting Cards6. All This Senseless Rationality: Beyond the End of the Modern Era of Greeting CardsNotesBibliographyIndex

Über Autor(innen)

Barry Shank is professor of comparative studies at The Ohio State University. He is the author of Dissonant Identities: The Rock 'n' Roll Scene in Austin, Texas. His work on popular culture has appeared in such journals as boundary 2, Radical History Review, American Studies, and American Quarterly.