Buch, Englisch, 348 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 667 g
Transformations Between 1955-1975
Buch, Englisch, 348 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 667 g
Reihe: Musical Cultures of the Twentieth Century
ISBN: 978-1-138-32301-8
Verlag: Taylor & Francis
Autoren/Hrsg.
Weitere Infos & Material
Introduction ROBERT ADLINGTON
PART I: Between the avant-gardes: new music theatre and new conceptions of drama
1. The definition of a new performance code between ‘avant-garde’ and ‘new’ theatre STEFANIA BRUNO
2. Total theatre and music theatre: tracing influences from pre- to post-war avant-gardes JULIA H. SCHRÖDER
3. Theatre as problem: modern drama and its influence in Ligeti, Pousseur and Berio VINCENZINA C. OTTOMANO
PART II: Expansions of technology
4. Audio-visual collisions: moving image technology and the Laterna Magika aesthetic in new music theatre HOLLY ROGERS
5. Composing new media: magnetic tape technology in new music theatre, c. 1950–1970 ANDREAS MÜNZMAY
PART III: The critique of established power
6. Guerrilla in the Polder: Music-Theatrical Protests in the Low Countries, 1968-1969 HARM LANGENKAMP
7. René Leibowitz’s Todos caerán: grand opéra as (critique of) new music theatreESTEBAN BUCH
PART IV: New venues and environments
8. A survey of new music theatre in Rome, 1961-1973: ‘anni favolosi’? ALESSANDRO MASTROPIETRO
9. Avant-garde music theatre: the Festival d’Avignon between 1967 and 1969 JEAN-FRANÇOIS TRUBERT
PART V: Reconceiving the performer
10. Reconceptualising the performer in new music theatre: collaborations with actors, mimes and musicians DAVID BEARD
11. Embodied commitments: solo performance and the making of new music theatre FRANCESCA PLACANICA
PART VI: Analyzing new music theatre
12. New music theatre and theories of embodied cognition BJÖRN HEILE
13. Analyzing new music theatre: theme and variations (in a multimedial perspective) ANGELA IDA DE BENEDICTIS