The World as Design

writings of design
2. Auflage 2015
ISBN: 978-3-433-03117-9
Verlag: Ernst, Wilhelm & Sohn

Buch, Englisch, 190 Seiten, Format (B × H): 140 mm x 216 mm, Gewicht: 249 g

Otl Aicher's writings are explorations of the world, a substantive part of his work. In moving through the history of thought and design, building and construction, he assures us of the possibilities of arranging existence in a humane fashion. As ever he is concerned with the question of the conditions needed to produce a civilised culture. These conditions have to be fought for against apparent factual or material constraints and spiritual and intellectual substitutes on offer.
Otl Aicher likes a dispute. For this reason, the volume contains polemical statements on cultural and political subjects as well as practical reports and historical exposition. He fights with productive obstinacy, above all for the renewal of Modernism, which he claims has largely exhausted itself in aesthetic visions; he insists the ordinary working day is still more important than the "cultural Sunday".
Wolfgang Jean Stock

Autoren/Hrsg.

Aicher, Otl

Fachgebiete

• Geisteswissenschaften Philosophie Ästhetik
• Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Kultur- und Ideengeschichte
• Geisteswissenschaften Kunst Kunst, allgemein Kunsttheorie, Kunstphilosophie
• Geisteswissenschaften Design Design: Allgemeines & Theorie

Inhaltsverzeichnis

preface by sir norman foster
introduction
crisis of modernism
doing without symbols
aesthetic existence
the third modernism
charles eames
hans gugelot
flying machines by paul mc cready
bauhaus and ulm
architecture as a reflection of the state
the non-usable useful item
the signature
intelligent building
my workspace does not yet exist
difficulties for architects and designers
appearance
graphic designers` space tob e themselves
a new typeface
the world as design
afterword
sources

Über Autor(innen)

Otl Aicher (1922-1991) was an outstanding personality in modern design, he was a co-founder of the legendary Hochschule für Gestaltung (HfG), the Ulm School of Design, Germany. His works since the fifties of the last century in the field of corporate design, e.g. Lufthansa, and his pictograms for the 1972 Summer Olympics in Munich are major achievements in the visual communication of our times.
 
Wolfgang Jean Stock is an architectural historian and author. As a critic he writes articles i.a. for Frankfurter Allgemeine Zeitung, Süddeutsche Zeitung, and international journals of architecture.