Visualising an Aesthetics of Process

Erscheinungsjahr 2026
ISBN: 978-3-032-10381-9
Verlag: Palgrave Macmillan

Buch, Englisch, 282 Seiten, Format (B × H): 148 mm x 210 mm

Reihe: Palgrave Perspectives on Process Philosophy

This book addresses aesthetics from a process philosophy perspective to highlight how even the perception of fixed objects, such as painting and drawing, depends on the intertwining and layering of a range of processes.

Drawing on philosophers within the process tradition, the book argues that the visual arts and aesthetics need to directly address speed differentials in vision and the material medium.  In doing so, it rephrases questions in aesthetics – which often involve perduring objects, substances or even eternal ideas – in terms of durational differences.  From this perspective, aesthesis constitutes the confluence between visual finitude and the broader movements of material becoming.

Visualising an Aesthetics of Process is essential reading for all scholars, researchers and advanced students of aesthetics and metaphysics.

Zielgruppe

Research

Autoren/Hrsg.

Atkinson, Paul

Fachgebiete

• Geisteswissenschaften Philosophie Metaphysik, Ontologie
• Geisteswissenschaften Philosophie Ästhetik

Inhaltsverzeichnis

Chapter 1. An Aesthetics of Durational Difference.- Chapter 2. Visuality and the Logic of Solid Bodies.- Chapter 3. Seeing Speed: Modernism and the Thresholds of Perception.- Chapter 4. Sensual Immediacy and the Time of Recognition.- Chapter 5. Material Rhythms and the Duration of the Creative Gesture.- Chapter 6. Kinaesthesia at Any Speed: Empathy, Rhythm and Performance.- Chapter 7. Life as a Frame of Reference: Aesthesis, Relativity and the Moving Image.

Über Autor(innen)

Dr Paul Atkinson teaches in the School of Media, Film and Journalism at Monash University, Australia. He is the author of Henri Bergson and Visual Culture: A Philosophy for a New Aesthetic (2021), and has published widely on a range of media, from cinema and dance to painting and music, in addition to his work on philosophy and aesthetics. Most of his research investigates how processual times underpin differences between mediums and inform creative practice and technology use.