Attimonelli / Susca / Tyldesley | Digital Dystopia | Buch | 978-1-80374-517-6 | www.sack.de

Buch, Englisch, Band 3, 146 Seiten, Format (B × H): 148 mm x 210 mm, Gewicht: 199 g

Reihe: Speculations

Attimonelli / Susca / Tyldesley

Digital Dystopia

'Black Mirror' and the End of Humanism
1. Auflage 2026
ISBN: 978-1-80374-517-6
Verlag: Peter Lang

'Black Mirror' and the End of Humanism

Buch, Englisch, Band 3, 146 Seiten, Format (B × H): 148 mm x 210 mm, Gewicht: 199 g

Reihe: Speculations

ISBN: 978-1-80374-517-6
Verlag: Peter Lang


Black Mirror: a show, a museum, a prison and a video game with no discontinuity between outside and inside, self and other, organic and inorganic. This is our world, where technology, AI, algorithms and social networks prevail over individuals, annihilating the foundational autonomy, rationality and anthropocentrism of Western culture. The society of the future described by the British TV serial with gloomy, visionary premonitions, expresses in a paroxysmic way what we already experience: everyday dystopia. It is science fiction that is more real than reality. Scrutiny permits the perception of our time as catastrophe, but crucially also the understanding of what emerges from the ashes of humanism and modernity: trolls, sexting, cancel culture, predictive analytics and surrogates of the human. We are in the heart of tragedy, but something endures, is born and proliferates among the fragments of the past. Like it or not, Charlie Brooker's Black Mirror reveals the first glimpses of the digital dawn.

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Claudia Attimonelli is Professor of Visual Studies and Digital Culture and coordinator of the Gender Archive at the University of Bari Aldo Moro. She is a sociosemiologist and the author of several books exploring visual culture, music, technology and gender, including Techno: Ritmi afrofuturisti (2008), Pornocultura (with V. Susca, 2016), L’estetica del malessere (2020), and L’elettronica è donna (with C. Tomeo, 2022).
Vincenzo Susca is Professor of Sociology of the Imaginary and a researcher at LEIRIS, Université Paul-Valéry Montpellier. He is the author of several books, translated into various languages, exploring the relationships between the imaginary, media and everyday life, including Les a inités connectives (2016), Tecnomagia (2022), Depois da arte (2025) and Bello da morire (2026).



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