Double Exposures

The Practice of Cultural Analysis
1. Auflage 1996
ISBN: 978-0-415-91704-9
Verlag: Routledge

Buch, Englisch, 352 Seiten, Format (B × H): 170 mm x 244 mm, Gewicht: 615 g

A feminist literary theorist, specialist in Rembrandt, and a scholar with a knack for reading Old Testament stories, Mieke Bal weaves a tapestry of signs and meanings that enrich our senses. Her subject is the act of showing, the gesture of exposing to view. In a museum, for example, the object is on display, made visually available. "That's how it is," the display proclaims. But who says so?
Bal's subjects are displays from the American Museum of Natural History, paintings by such figures as Courbet, Caravaggio, Artemisia Gentileschi, and Rembrandt, as well as works by twentieth-century artists, and such literary texts as Shakespeare's Rape of Lucrece.

Autoren/Hrsg.

Bal, Mieke

Fachgebiete

• Geisteswissenschaften Kunst Kunstgeschichte
• Geisteswissenschaften Kunst Kunst, allgemein
• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Kulturwissenschaften

Inhaltsverzeichnis

Telling, showing, showing off; the value factory; the talking museum; museumtalk; first person, second person, same person; a postcard from the edge; the story of W 8 - his master's eye; head-hunting.

Über Autor(innen)

Mieke Bal