Buch, Englisch, 288 Seiten, Format (B × H): 165 mm x 241 mm, Gewicht: 612 g
Buch, Englisch, 288 Seiten, Format (B × H): 165 mm x 241 mm, Gewicht: 612 g
Reihe: Exeter Performance Studies (Ha
ISBN: 978-0-85989-735-8
Verlag: UNIV OF EXETER
Part One examines seventeenth and eighteenth century performers, as they built a sense of the excitement and possibility of theatre with audiences in Britain and Europe. The idea of acting, its art and popular practice was being formed during this period. Part Two explores nineteenth-century popular performers who became cultural icons and developed popular performance that contributed to the regeneration of national identity. Part Three looks at twentieth-century performers whose acting continued to reach popular audiences in remarkable ways, across national boundaries, as the acting industry underwent transformation in the face of technological change
This is a unique collection of essays on performers such as Richard Burbage, Sarah Siddons, Peter Lorre, George Formby, Laurel and Hardy, Morecombe and Wise. It provides an outstanding selection of contributors: Richard Boon, Colin Chambers, Chris Dymkowski, Ger Fitzgibbon, Viv Gardner, Baz Kershaw, Alexander Leggatt, Chris McCullough, Jan McDonald, Joel Schechter, Laurence Senelick, Martin White, Don Wilmeth
Autoren/Hrsg.
Fachgebiete
- Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Freizeitsoziologie, Konsumsoziologie, Alltagssoziologie, Populärkultur
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Einzelne Filmschauspieler, Filmregisseure, Drehbuchautoren
Weitere Infos & Material
Part I: The idea of acting extraordinary actors of the 17th and 18th century:
Introduction, Martin Banham, Richard Burbage, Alexander Leggatt
Commedia dell'arte in Russia - Popular Satiric Perfomers in the 18th Century, Laurence Senelick
Thomas Betterton - The Art of Playing, Jane Milling
PART II: The celebrated actor as cultural icon - extraordinary actors of the 19th century:
Introduction, Chris McCullough
British Invasions on the American Stage, Don Wilmeth
Acting and the Austere Joys of Motherhood - Sarah Siddons Performs Maternity, Jan McDonald
The Brothers Fay - Irish Acting and the Origins of the Abbey Theatre, Ger Fitzgibbon
Gertie Millar: Celebrity and Musical Comedy, Viv Gardner
PART III: Acting for popular audiences, the mass and the local extraordinary actors of the 20th century
Introduction, Jane Milling
Lena Ashwell and the Once A-Week Players - Popular Performers in London, Chris Dymkowski
Peter Lorre - A Clash of European and US Acting Styles, Chris McCullough
George Formby and the Northern Sublime, Baz Kershaw
Leo Fuchs - Yiddish Vaudevillian, Joel Schechter; Laurel and Hardy and Morecambe and Wise - Comedy Double Acts, Richard Boon
Playing on the Front Foot - Actors and Audience in British Popular Theatre 1970-1990, Colin Chambers and Maggie Steed
Mark Rylance - Popular acting at the Globe Theatre, Martin White.