The Projectionists

Eadweard Muybridge and the Future Projections of the Moving Image
Erscheinungsjahr 2020
ISBN: 978-3-0358-0289-4
Verlag: diaphanes

Buch, Englisch, 208 Seiten, Format (B × H): 140 mm x 225 mm, Gewicht: 404 g

Eadweard Muybridge is among the seminal originators of the contemporary world’s visual form, with its concentrated image-sequences of bodies in movement and its ocular obsessions. This book examines an almost unknown dimension of Muybridge’s work, as a moving-image projectionist, who toured Europe’s cities to enthral beyond-capacity audiences with unprecedented projections and who built a moving-image auditorium - long before cinemas were created - in which to project his work at the 1893 Chicago World’s Columbian Exposition. That final invention of Muybridge’s was both an all-engulfing catastrophe and the vital precursor for the following century’s worldwide manias for projection. Based on entirely new research into Muybridge’s travels, audiences, auditoria and projectors, this book explores his initiating role in moving-image projection and also maps Muybridge’s driving inspiration for subsequent artists and filmmakers preoccupied with the volatile entity of projection, from 1890s Berlin to contemporary Japan, via further spectacular World’s Exposition events and cinemas’ overheated projection-boxes.

The book looks closely at the enigmatic figure of the moving-image projectionist, from its origins in Muybridge’s experiments, across glass, celluloid and digital projections, to the contemporary moment. Moving-image projection formed a crucial determinant in the imagining of new corporealities and new urban spaces, through its irrepressible capacity to envision future bodies and cities. The cinema projectionist - a solitary figure of compulsion and restlessness, inhabiting a profession touched with the multiple addictions and deaths of the moving image - was once a pivotal presence for global cinema audiences but is now consigned to near-obsolescence.

The book investigates contemporary urban projections as aberrant manifestations derived from Muybridge’s first conjurations of projection’s power for its spectators. Throughout, the book interrogates the strange figure of the projectionist, embodied first of all by Muybridge himself.

will attract and fascinate all lovers of cinemas, photography and moving-image cultures.

Autoren/Hrsg.

Barber, Stephen

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmproduktion, Filmtechnik
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgeschichte

Inhaltsverzeichnis

7	-	26	The Projectionists	(Stephen Barber)
27	-	73	Muybridge's Central European Projections, 1891	(Stephen Barber)
74	-	128	Muybridge's Chicago Exposition Projections, 1893	(Stephen Barber)
129	-	147	Projection's Devils: Max and Emil Skladanowsky, 1895-97	(Stephen Barber)
148	-	169	Projections of the Osaka World Exposition, 1970	(Stephen Barber)
171	-	185	Lovers: Teiji Furuhashi's Projections, 1994/2016/2020	(Stephen Barber)
186	-	203	Projections of Future Cities, Projections of Future Bodies	(Stephen Barber)
205	-	206	Bibliography	(Stephen Barber)
207	-	208	Illustrations List	(Stephen Barber)

Über Autor(innen)

Barber, Stephen
Stephen Barber ist derzeit Fellow am Käte Hamburger Kolleg für Apokalyptische und Postapokalyptische Studien an der Universität Heidelberg. Ansonsten ist er Professor für Kunst und Film und Co-Direktor des Visual Culture Research Centre an der Kingston University in London. Er ist Autor von drei bereits bei Diaphanes erschienenen Büchern - White Noise Ballrooms (2018) Film's Ghosts (2019) und The Projectionists (2020) - und mehreren in Vorbereitung befindlichen Büchern, darunter Wasteland/Apocalypse. Außerdem hat er für Diaphanes zwei Bücher mit Schriften von Antonin Artaud – Artaud 1937 Apocalypse (2018) und A Sinister Assassin (2023) – übersetzt. Seine Bücher wurden von der britischen Zeitung The Times als „brillant, tiefgründig und provokativ“ beschrieben.