Bennett | Being Property Once Myself | Buch | 978-0-674-27116-6 | www.sack.de

Buch, Englisch, 224 Seiten, Format (B × H): 138 mm x 207 mm, Gewicht: 212 g

Bennett

Being Property Once Myself

Blackness and the End of Man
Erscheinungsjahr 2022
ISBN: 978-0-674-27116-6
Verlag: Harvard University Press

Blackness and the End of Man

Buch, Englisch, 224 Seiten, Format (B × H): 138 mm x 207 mm, Gewicht: 212 g

ISBN: 978-0-674-27116-6
Verlag: Harvard University Press


Winner of the William Sanders Scarborough Prize “This trenchant work of literary criticism examines the complex ways…African American authors have written about animals. In Bennett’s analysis, Richard Wright, Toni Morrison, Jesmyn Ward, and others subvert the racist comparisons that have ‘been used against them as a tool of derision and denigration.’.An intense and illuminating reevaluation of black literature and Western thought.” —Ron Charles, Washington Post For much of American history, Black people have been conceived and legally defined as nonpersons, a subgenre of the human. In Being Property Once Myself, prize-winning poet Joshua Bennett shows that Blackness has long acted as the caesura between human and nonhuman and delves into the literary imagination and ethical concerns that have emerged from this experience. Each chapter tracks a specific animal—the rat, the cock, the mule, the dog, the shark—in the works of Richard Wright, Toni Morrison, Zora Neale Hurston, Jesmyn Ward, and Robert Hayden. The plantation, the wilderness, the kitchenette overrun with pests, the valuation and sale of animals and enslaved people—all place Black and animal life in fraught proximity. Bennett suggests that animals are deployed to assert a theory of Black sociality and to combat dominant claims about the limits of personhood. And he turns to the Black radical tradition to challenge the pervasiveness of anti-Blackness in discourses surrounding the environment and animals. Being Property Once Myself is an incisive work of literary criticism and a groundbreaking articulation of undertheorized notions of dehumanization and the Anthropocene. “A gripping work…Bennett’s lyrical lilt in his sharp analyses makes for a thorough yet accessible read.” —LSE Review of Books “These absorbing, deeply moving pages bring to life a newly reclaimed ethics.” —Colin Dayan, author of The Law Is a White Dog “Tremendously illuminating…Refreshing and field-defining.” —Salamishah Tillet, author of Sites of Slavery

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Bennett, Joshua
Joshua Bennett is Professor of Literature and Distinguished Chair of the Humanities at Massachusetts Institute of Technology. He is the author of <i>Spoken Word: A Cultural History</i>, which was named one of <i>The New York Times</i>’s 100 Notable Books of 2023,<i>The Study of Human Life</i>, which is currently being adapted for television in partnership with Warner Brothers Television, <i>Owed </i>and <i>The Sobbing School</i>, winner of the National Poetry Series and a finalist for the NAACP Image Award. His writing has been published in <i>The Best American Poetry</i>, <i>The New York Times</i>, The<i> New Yorker</i>, and the <i>Paris Review</i>.



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