Painted Alchemists

Early Modern Artistry and Experiment in the Work of Thomas Wijck
Erscheinungsjahr 2019
ISBN: 978-94-6298-649-7
Verlag: Taylor & Francis

Buch, Englisch, 314 Seiten, Format (B × H): 161 mm x 240 mm, Gewicht: 818 g

Reihe: Amsterdam Studies in the Dutch Golden Age

Thomas Wijck’s painted alchemical laboratories were celebrated in his day as artful and ingenious. They fell into obscurity along with their subject, as alchemy came to be viewed as an occult art or a fool’s errand. But these unusual pictures challenge our understanding of early modern alchemy-and of the deeper relationship between chemical workshops and the artists who represented them. The work of artists, like the work of alchemists, contained intellectual-creative and manual-material aspects. Both alchemists and artists claimed a special status owing to their creative powers. Wijck’s formation of an artistic and professional identity around alchemical themes reveals his desire to explore this curious territory, and ultimately to demonstrate art’s superior claims to knowledge and mastery over nature. This book explores one artist’s transformation of alchemy and its materials into a reputation for virtuosity-and what his work can teach us about the experimental early modern world.

Zielgruppe

Academic

Autoren/Hrsg.

Berry Drago, Elisabeth

Fachgebiete

• Geisteswissenschaften Kunst Kunst, allgemein Einzelne Künstler: Biographien, Monografien
• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: Renaissance, Manierismus

Inhaltsverzeichnis

INTRODUCTION, 1. CURIOSITY AND CONVENTION, 2. THOMAS WIJCK, ŸARTFULŒ AND ŸINGENIOUSŒ, 3. WIJCK’S ALCHEMICAL ARTISANS, 4. AN EXPERIMENT IN HAARLEM, 5. THE ARTIST’S LABORATORIES ABROAD, 6. THE MASTER OF NATURE, 7. EPILOGU, ENDNOTES, BIBLIOGRAPHY

Über Autor(innen)

Elisabeth Berry Drago studies interconnected histories of art and science in the Dutch Golden Age. She received her PhD from the University of Delaware, and is a former Fellow of the Science History Institute in Philadelphia.