An Intimate Distance

Women, Artists and the Body
1. Auflage 1996
ISBN: 978-0-415-11085-3
Verlag: Routledge

Buch, Englisch, 254 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 395 g

An Intimate Distance considers a wide range of visual images of women in the context of current debates which centre around the body, including reproductive science, questions of ageing and death and the concept of 'body horror' in relation to food, consumption and sex. A feminist reclamation of these images suggests how the permeable boundaries between the female body and technology, nature and culture are being crossed in the work of women artists.

Zielgruppe

Postgraduate

Autoren/Hrsg.

Betterton, Rosemary

Fachgebiete

• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: 20./21. Jahrhundert
• Sozialwissenschaften Soziologie | Soziale Arbeit Soziale Gruppen/Soziale Themen Gender Studies, Geschlechtersoziologie
• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Kulturwissenschaften
• Geisteswissenschaften Kunst Künstlerische Stoffe, Motive, Themen Künstlerische Stoffe, Motive, Themen: Menschen, Häusliches Umfeld

Inhaltsverzeichnis

Introduction 1 Introduction; Chapter 1 An Intimate Distance; Chapter 2 Mother Figures; Chapter 3 ‘A Perfect Woman’; Chapter 4 Bodies in the Work; Chapter 5 Life and A.R.T; Chapter 6 Body Horror?; Chapter 7 Identities, Memories, Desires;

Über Autor(innen)

Rosemary Betterton teaches art history and critical studies at Sheffield Hallam University. She is the author of Looking On: Images of Femininity in the Visual Arts and Media, and has written widely in the areas of feminist art history and theory.