The Shakespearean International Yearbook

20: Special Section, Pericles, Prince of Tyre
1. Auflage 2023
ISBN: 978-1-032-43716-3
Verlag: Routledge

Buch, Englisch, 340 Seiten, Format (B × H): 157 mm x 235 mm, Gewicht: 647 g

Reihe: The Shakespearean International Yearbook

This year publishing its twentieth volume, The Shakespearean International Yearbook surveys the present state of Shakespeare studies, addressing issues that are fundamental to our interpretive encounter with Shakespeare’s work and his time, across the whole spectrum of his literary output. Contributions are solicited from scholars across the field, from both hemispheres of the globe. New trends are evaluated from the point of view of established scholarship, and emerging work in the field is encouraged. Each issue includes a special section under the guidance of a specialist Guest Editor, along with coverage of the current state of the field in other aspects. An essential reference tool for scholars of early modern literature and culture, this annual publication captures, from year to year, current and developing thought in Shakespeare scholarship and theater practice worldwide. There is a particular emphasis on Shakespeare studies in global contexts.

Zielgruppe

Postgraduate

Autoren/Hrsg.

Bishop, Tom

Joubin, Alexa Alice

Williams, Deanne

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Englische Literatur
• Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft: Dramen und Dramatiker
• Geisteswissenschaften Literaturwissenschaft Literarische Strömungen & Epochen

Inhaltsverzeichnis

List of Figures

Preface

Tom Bishop and Alexa Alice Joubin

General Editors

List of Contributors

Part I: Special Section: Pericles, Prince of Tyre

Special Guest Editors:

Deanne Williams, York University, and Tom Bishop, University of Auckland

- Introduction

Deanne Williams, York University, and Tom Bishop, University of Auckland

- Whose Pericles, and Why, and When?

Stephen Orgel, Stanford University

- The Excesses of Romance: Shakespeare’s Pericles and the Baroque

Robert Hudson Vincent, Harvard University

- Hrotswitha of Gandersheim, Pericles, Prince of Tyre, and Humanist Girlhood

Deanne Williams, York University

- Eater and Eaten, Feeder and Fed: Intercultural Consumption in Pericles

Stephen Cohen, Central Connecticut State University

- Pericles and the Sea of Things

Andrew S. Brown, Dalhousie University

- Pericles and the Primacy of Movement

Tonhi Lee, Tufts University

- "The purchase is to make men glorious": Pericles on the Stuart Court Stage

Gabriel Lonsbery, Purdue University

- Inscribed Props and Daughters in Pericles

Bernice Mittertreiner Neal, York University

- Musicking the Spheres in Pericles

Jennifer Linhart Wood, George Mason University

- Pericles Comes to America

Tom Bishop, University of Auckland

- Line Dancing, Belly Dancing, and Martial Arts: Staging the Soldiers’ Dance in Pericles

Linda McJannet, Bentley University

- Productions of Pericles, Prince of Tyre, 1900-2020: a checklist

Tom Bishop, University of Auckland

Part Two: Recent Literature Review

14. Intersectional Shakespeare: the State of the Field, 2020-21

Nicole A. Jacobs, California Polytechnic State University

Index

Über Autor(innen)

General Editors:

Tom Bishop, Professor of English, Emeritus, University of Auckland, New Zealand

Alexa Alice Joubin, Professor of English, George Washington University and Research Affiliate, MIT, USA

Guest Editors:

Deanne Williams is Professor of English and Theatre Studies at York University

Tom Bishop, Professor of English, Emeritus, University of Auckland, New Zealand