Liebe Besucherinnen und Besucher,
aufgrund unseres Sommerfestes sind wir am 03. September 2026 bis 14 Uhr erreichbar. Am 04. September 2026 sind wir wieder wie gewohnt für Sie da. Vielen Dank für Ihr Verständnis.
Ihr Team von Sack Fachmedien
Buch, Englisch, 432 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 726 g
The Development of Modes of Representation
Buch, Englisch, 432 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 726 g
ISBN: 978-0-89859-342-6
Verlag: Taylor & Francis Inc
The representation of the form of objects and of space in painting, from paleolithic through contemporary time, has become increasingly integrated, complex, and abstract. Based on a synthesis of concepts drawn from the theories of Piaget and Freud, this book demonstrates that modes of representation in art evolve in a natural developmental order and are expressions of the predominant mode of thought in their particular cultural epoch. They reflect important features of the social order and are expressed in other intellectual endeavors as well, especially in concepts of science. A fascinating evaluation of the development of cognitive processes and the formal properties of art, this work should appeal to professionals and graduate students in developmental, cognitive, aesthetic, personality, and clinical psychology; to psychoanalysts interested in developmental theory; and to anyone interested in cultural history -- especially the history of art and the history of science.
Autoren/Hrsg.
Fachgebiete
- Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Kulturwissenschaften
- Geisteswissenschaften Philosophie Ästhetik
- Geisteswissenschaften Kunst Kunst, allgemein Kunsttheorie, Kunstphilosophie
- Sozialwissenschaften Psychologie Psychologie / Allgemeines & Theorie Psychologie: Allgemeines
Weitere Infos & Material
1: The Form of Objects and of Space in the History of Art; 2: The Development of Modes of Representation; 3: From Topological to Projective Space: Painting in the Ancient, Greco-Roman, and Medieval Periods; 4: The Discovery and Development of Linear Perspective: The Renaissance, Mannerism, and the Baroque; 5: From Linear Perspective to Conceptual Art: Impressionism, Cubism, and Modern Art




