Bloomfield | Drag | Buch | 978-0-520-39332-5 | sack.de

Buch, Englisch, Band 23, 272 Seiten, Cloth Over Boards, Format (B × H): 160 mm x 236 mm, Gewicht: 538 g

Reihe: Berkeley Series in British Studies

Bloomfield

Drag

A British History
1. Auflage 2023
ISBN: 978-0-520-39332-5
Verlag: University of California Press

A British History

Buch, Englisch, Band 23, 272 Seiten, Cloth Over Boards, Format (B × H): 160 mm x 236 mm, Gewicht: 538 g

Reihe: Berkeley Series in British Studies

ISBN: 978-0-520-39332-5
Verlag: University of California Press


A rich and provocative history of drag's importance in modern British culture.

Drag: A British History is a groundbreaking study of the sustained popularity and changing forms of male drag performance in modern Britain. With this book, Jacob Bloomfield provides fresh perspectives on drag and recovers previously neglected episodes in the history of the art form.

Despite its transgressive associations, drag has persisted as an intrinsic, and common, part of British popular culture—drag artists have consistently asserted themselves as some of the most renowned and significant entertainers of their day. As Bloomfield demonstrates, drag was also at the center of public discussions around gender and sexuality in the nineteenth and twentieth centuries, from Victorian sex scandals to the "permissive society" of the 1960s. This compelling new history demythologizes drag, stressing its ordinariness while affirming its important place in British cultural heritage.

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Autoren/Hrsg.


Weitere Infos & Material


Contents

List of Illustrations

Acknowledgments

Introduction

1 Old Mother Riley and the Modern Dame

2 Splinters: Cross-Dressing Ex-Servicemen on the Interwar Stage

3 Danny La Rue: Conservative Drag in the “Permissive Society”

4 Skirting the Censor: Drag and the Censorship of the British Theater, 1939–1968

Epilogue: How Queer Is Drag?

Notes

Bibliography

Index


Jacob Bloomfield is Zukunftskolleg Postdoctoral Fellow at the University of Konstanz and Honorary Research Fellow at the University of Kent. His research is situated primarily in the fields of cultural history, the history of sexuality, and gender history. He is currently working on a book about the historical reception to musician Little Richard in the United States and Europe.



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