The Cinema of Catherine Breillat

Erscheinungsjahr 2017
ISBN: 978-90-04-32694-1
Verlag: Koninklijke Brill BV

Buch, Englisch, Band 7, 162 Seiten, Format (B × H): 161 mm x 241 mm, Gewicht: 377 g

Reihe: Contemporary Cinema

In The Cinema of Catherine Breillat, Bélot offers a detailed analysis of Breillat’s past and recent films. Breillat is one of the most internationally renowned French women filmmakers whose notoriety is built on her explicit representation of women’s sexuality. Most of her films rely on a female protagonist’s personal and intimate search of her self, characterised by her sexual journey.
Facing censorship and controversy, Breillat’s films do not easily fit classification and place the viewer into an uncomfortable position. This study looks at Breillat as an independent cinema auteur entertaining a close relation with her films by exploring and positing women, from adolescence to adulthood, as sexual beings reflecting her films’ identity emanating from Breillat’s personal or intimate scenes.

Autoren/Hrsg.

Bélot, Sophie

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmtheorie, Filmanalyse
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgattungen, Filmgenre
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Einzelne Filmschauspieler, Filmregisseure, Drehbuchautoren
• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften

Inhaltsverzeichnis

Acknowledgements
List of Illustrations

Introduction: Catherine Breillat’s ‘Scenes-in-Time’
The Personal as the Intimate
The Intimate: ‘X’ for Censorship
The Manuscript’s Structure and Synopsis

1 ‘Le Cinema de Catherine Breillat’
An Intertextual and Transgressive Cinema: Sex is Comedy and Une Vieille Maîtresse
The Script of ‘Intimate Scenes’ in Sex is Comedy
Breillat’s Original Film Adaptation: Une Vieille Maitresse

2 Viewing (Dis)-pleasure
The ‘Cinematic Spectator’ in Tapage Nocturne

3 The Teen Years in Une vraie jeune fille, 36 fillette, and A ma soeur!
The Repressive French Society
Revisiting the Lolita Syndrome
Real ‘Becomings’/Young Girls

4 A Male Adolescent Sexual Journey
‘The Male Crisis’? in Brève traversée

5 Adult Female Sexual Desire
The Genre Film: Crime Drama in Sale comme un ange and Parfait Amour!
Empowerment in Masochism: Romance and Anatomie de l’enfer

Conclusion
Adaptation of Fairy Tales: Reading and Dreaming
Fairy Tales and Gender Expectations
Intimacy in Catherine Breillat’s Cinema

Bibliography
Filmography

Über Autor(innen)

Sophie Bélot, Ph.D. (2002), University of Sheffield, is a programme director at the same university. She has published on representations of women in Francophone cinema as well as on film forms (documentary, essay film, adaptations). She is currently working on emotion in cinema.