Artificial Intelligence, Visual Arts and Copyright

A Multidisciplinary Analysis
1. Auflage 2027
ISBN: 978-1-041-19367-8
Verlag: Taylor & Francis Ltd

Buch, Englisch, 314 Seiten, Format (B × H): 156 mm x 234 mm

This book examines the impact of generative artificial intelligence (AI) on the intersection between visual arts and copyright law.

Incorporating perspectives from multiple academic disciplines, as well as from practitioners such as artists, curators and art lawyers, this book adds a much-needed multidisciplinary perspective to ongoing global discussions both about how AI is shaping the future of visual arts, as well as the specific copyright questions that follow. Taking up a wide range of topics – such as the place of AI in the art museum sector, the ongoing evolution of how copyright deals with AI, the role of AI in the commoditisation of art, and AI and rights licensing – the book engages the most pressing issues at the intersection of AI, art and copyright. Its combining of theoretical analysis with practitioner insights further offers a breadth of engagement that is essential in understanding the copyright challenges of the AI era.

This book will appeal to legal scholars and students with relevant interests, as well curators and other professionals working in the areas of art and cultural heritage perspective.

Zielgruppe

Academic

Autoren/Hrsg.

Bonadio, Enrico

Egeland, Siri-Helen

Fachgebiete

• Geisteswissenschaften Kunst Kunst, allgemein
• Mathematik | Informatik EDV | Informatik Informatik Künstliche Intelligenz
• Rechtswissenschaften Wirtschaftsrecht Urheberrecht

Inhaltsverzeichnis

Introduction Section 1: The Artist and Museum Perspectives 1. What can AI do for Art 2. Alternative Intentions and Deep Learnings: Creative Perspectives 3. Use of AI in Artistic Practice and the Artist’s Perspective on AI and Creativity 4. Museums Between Access, Rights, and Responsibility 5. The Art Museum as Data Custodian in the Age of AI Section 2: The Copyright Perspective 6. AI DISSONANCES - Different National Approaches to the Copyright Protection of AI-Generated Works and Proposals for Alternative Kinds of Protections 7. AI, ROBOT: The UK Perspective 8. AI, Visual Art and Copyright – a Japanese Perspective Section 3: AI in artistic Practice, licensing and markets 9. AI and the Srt Market: Copyright, Attribution and the Invisible uses of AI 10. AI in Rights Licensing 11. From Artwork to Artist: Licensing and Personality Rights in the Age of AI 12. Agentic AI: Dynamic Future Trends in the Arts 13. Inheriting the Future: AI Enhanced Art Practices and Legacy Planning 14. The Real Challenge for ART from AI 15. Conclusion

Über Autor(innen)

Enrico Bonadio, Professor of Intellectual Property law at City St George’s, University of London

Siri-Helen Egeland, Assistant Professor, at the School of Business and Law, Department of Law, University of Agder, Norway