The Creation and Re-creation of Cardenio

2013
ISBN: 978-1-137-34420-5
Verlag: Springer Nature B.V.

Buch, Englisch, 329 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 5092 g

Did Shakespeare really join John Fletcher to write Cardenio, a lost play based on Don Quixote? With an emphasis on the importance of theatrical experiment, a script and photos from Gary Taylor's recent production, and essays by respected early modern scholars, this book will make a definitive statement about the collaborative nature of Cardenio.

Zielgruppe

Research

Autoren/Hrsg.

Bourus, T.

Taylor, G.

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Literaturgeschichte und Literaturkritik
• Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft
• Geisteswissenschaften Literaturwissenschaft Literaturtheorie: Poetik und Literaturästhetik
• Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft: Lyrik und Dichter

Inhaltsverzeichnis

Foreword: Mr Fletcher and Shakespeare. [and Theobald]; Roger Chartier PART I 1. The Passion of Readers, the Imitation of Texts: The History of Reading in the Quest for Cardenio; Elizabeth Spiller 2. Reading Cervantes, or Shelton, or Phillips: The Source(s) of Cardenio and Double Falsehood; Gary Taylor and Steven Wagschal 3. The 1612 Don Quixote and the Windet-Stansby Printing House; David Gants 4. Quixote on the English Stage: A New Glimpse of Cardenio ?; Gerald Baker 5. Blessed with a Baby or 'bum-fiddled with a bastard'?: Maternity in Fletcher's The Chances and Cervantes' Novela de la señora Cornelia; Joyce Boro 6. Girls on the Run: Love's Pilgrimage, The Coxcomb, and Double Falsehood; Christopher Hicklin 7. Furious Soldiers and Mad Lovers: Plotting Fletcher and The History of Cardenio; Vimala C. Pasupathi 8. 'Shall I never see a lusty man again?' John Fletcher's Men, 1608-1715; Huw Griffiths 9. Shakespeare, Theobald, and the Prose Problem in Double Falsehood; John V. Nance 10. Sleight of Mind: Cognitive Illusions and Shakespearian Desire; Gary Taylor 11. The 'Unscene' and Unstaged in Double Falsehood, Cardenio, and Shakespeare's Romances; Lori Leigh 12. Performing Spanish Culture Through Flamenco: Aurality and Embodiment in the Royal Shakespeare Company's Cardenio; Carla della Gatta 13. Poner en escena The History of Cardenio; Terri Bourus 14. Review of The History of Cardenio (2012); Gerald Baker 15. Cardenio: Shakespeare's Lost Race Play?; Ayanna Thompson PART II 16. A Posthumous Collaborator's Preface; Gary Taylor 17. The History of Cardenio, 1612-2012; John Fletcher, William Shakespeare, and Gary Taylor

Über Autor(innen)

Gary Taylor, Florida State University, USA
Terri Bourus, Indiana University-Purdue University Indianapolis, USA
Gerald Baker, Independent Scholar, UK
Joyce Boro, Associate Professor of English, Université de Montréal, Canada
Roger Chartier; Collège de France, France
David Gants, Florida State University, USA
Carla Della Gatta, Northwestern University, USA
Huw Griffiths, University of Sydney, USA
Christopher Hicklin, Associate Editor of the Early Modern London Theatres website
Lori Leigh, Victoria University of Wellington, New Zealand
John V. Nance, Florida State University, USA
Vimala Pasupathi, Hofstra University, USA
Kevin C. Robbins, Indiana University-Purdue University Indianapolis, USA
Elizabeth Spiller, Florida State University, USA
Ayanna Thompson, Arizona State University, USA

Steven Wagschal, Indiana University Bloomington, USA