History as Theatrical Metaphor

History, Myth and National Identities in Modern Scottish Drama
1. Auflage 2016
ISBN: 978-1-349-69247-7
Verlag: Palgrave Macmillan UK

Buch, Englisch, 247 Seiten, Paperback, Format (B × H): 148 mm x 210 mm, Gewicht: 346 g

This revelatory study explores how Scottish history plays, especially since the 1930s, raise issues of ideology, national identity, historiography, mythology, gender and especially Scottish language. Covering topics up to the end of World War Two, the book addresses the work of many key figures from the last century of Scottish theatre, including Robert McLellan and his contemporaries, and also Hector MacMillan, Stewart Conn, John McGrath, Donald Campbell, Bill Bryden, Sue Glover, Liz Lochhead, Jo Clifford, Peter Arnott, David Greig, Rona Munro and others often neglected or misunderstood.

Setting these writers’ achievements in the context of their Scottish and European predecessors, Ian Brown offers fresh insights into key aspects of Scottish theatre. As such, this represents the first study to offer an overarching view of historical representation on Scottish stages, exploring the nature of ‘history’ and ‘myth’ and relating these afresh to how dramatists use – and subvert – them.

Engaging and accessible, this innovative book will attract scholars and students interested in history, ideology, mythology, theatre politics and explorations of national and gender identity.

Zielgruppe

Research

Autoren/Hrsg.

Brown, Ian

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatertheorie, Ästhetik des Theaters, Theaterkritik

Inhaltsverzeichnis

Introduction.- Chapter one. Playwrights and History.- Chapter two. History, Mythology and “Re-presentation” of events.- Chapter three. Language, Ideology and Identity.- Chapter four. The creation of a “missing” tradition.- Chapter five. Revealing hidden histories.- Chapter six. The re-visioning of history.- Chapter seven. Alternative visions.- Chapter eight.Re-constructing the deconstructed.- Chapter nine. Conclusion.

Über Autor(innen)

Emeritus Professor in Drama at Kingston University, UK, and Honorary Senior Research Fellow at Glasgow University, Ian Brown’s previous posts include Dean of Arts, Queen Margaret University, and Drama Director, Arts Council of Great Britain. Published widely on theatre history and cultural matters, he is a playwright and poet.