Performing Interdisciplinarity

Working Across Disciplinary Boundaries Through an Active Aesthetic
1. Auflage 2017
ISBN: 978-1-138-67885-9
Verlag: Routledge

Buch, Englisch, 268 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 415 g

Performing Interdisciplinarity proposes new ways of engaging with performance as it crosses, collides with, integrates and/or disturbs other disciplinary concerns. From Activism and Political Philosophy to Cognitive Science and Forensics, each chapter explores the relationships between performance and another discipline.

Including cross-chapter discussions which address the intersections between fields, Performing Interdisciplinarity truly examines the making of meaning across disciplinary conventions. This is a volume for performance practitioners and scholars who are living, learning, writing, teaching, making and thinking at the edges of their specialisms.

Autoren/Hrsg.

Bryon, Experience

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft

Inhaltsverzeichnis

List of Contributors

Acknowledgements

Foreword - Claire Colebrook



Introduction

Experience Bryon



Part I

active aesthetic: Knowledge Performing

Experience Bryon



Part II

virtual: Performance and Digital

Joanne Scott

Cross-Chapter Discussion: virtual & mediation

mediation: Performance and Installation Art

Luis Campos

Cross-Chapter Discussion: mediation & utopia

utopia: Performance and Social Geography: shattering the real with utopian dreams

Selina Busby

Cross-Chapter Discussion: utopia & role

role: Performance and Pedagogy

Jessica Hartley

Cross-Chapter Discussion: role & embodiment

embodiment: Performance and Cognitive Science

Deirdre Mclaughlin

Cross-Chapter Discussion: embodiment & story

story: Performance and Psychology

Antonia Batzoglou

Cross-Chapter Discussion: story & virtual

visibility: Performance and Activism

Nando Messias

Cross-Chapter Discussion: visibility & ‘the subject’

‘the subject’: Performance and Political Philosophy

Rachel Cockburn

Cross-Chapter Discussion: ‘the subject’ & voice

voice: Performance and Forensics

Konstantinos Thomaidis

Cross-Chapter Discussion: voice & visibility



Index

Über Autor(innen)

Experience Bryon, PhD, is a performance practitioner and Senior Lecturer at the Royal Central School of Speech and Drama. She specialises in Practice as Research, interdisciplinary performance practice(s), physical/vocal praxis, and performance as it engages across disciplines. She is also author of Integrative Performance: Practice and Theory for the Interdisciplinary Performer (Routledge 2014).