A Binocular Study
Buch, Englisch, 165 Seiten, Format (B × H): 146 mm x 223 mm, Gewicht: 3305 g
ISBN: 978-1-137-33830-3
Verlag: Palgrave MacMillan Us
This focused and incisive study reassesses the historic collaboration between James Clerk Maxwell and Thomas Sutton. It reveals that Maxwell and Sutton were closer to true partners than has commonly been assumed, and shows how their experiments illuminate the role of technology, representation, and participation in Maxwell's natural philosophy.
Zielgruppe
Research
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Geschichtswissenschaft Geschichtswissenschaft Allgemein
- Interdisziplinäres Wissenschaften Wissenschaften: Allgemeines Geschichte der Naturwissenschaften, Formalen Wissenschaften & Technik
- Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Europäische Geschichte
- Geisteswissenschaften Kunst Fotografie
- Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Mentalitäts- und Sozialgeschichte
Weitere Infos & Material
1. Introduction: shared media, differing projects and projections 2. Enter Maxwell 3. Photographic illustrations 4. What objectivity? Whose objectivity? Automatic objectivity is social and scientific 5. Photography organized and scientific: from amateurs to professionals 6. Photography as instrument and profession: Art versus science 7. Photographic collaborations: two more cases 8. Maxwell's pictorial and photographic background 9. Methodology of experimental inaction 10. Enter Sutton 11. The place of collaboration and chemistry between men 12. Technologies of projection and color: Different problems and images. Color and truth. 13. A Tale of two experiments: From professional to cognitive autonomy 14. Photographic consequences 15. Conclusion