Chamberlen / Bernatek | Carceral Arts | Buch | 978-1-5292-5228-6 | www.sack.de

Buch, Englisch, 288 Seiten, Format (B × H): 156 mm x 234 mm

Reihe: Critical Perspectives on Law, Culture and Justice

Chamberlen / Bernatek

Carceral Arts

Global Perspectives on Creativity, Justice & Resistance
1. Auflage 2027
ISBN: 978-1-5292-5228-6
Verlag: Bristol University Press

Global Perspectives on Creativity, Justice & Resistance

Buch, Englisch, 288 Seiten, Format (B × H): 156 mm x 234 mm

Reihe: Critical Perspectives on Law, Culture and Justice

ISBN: 978-1-5292-5228-6
Verlag: Bristol University Press


Available open access digitally under CC-BY-NC-ND licence.

This interdisciplinary collection examines the thriving world of arts and creativity within prisons and other sites of confinement, revealing the complex terrain of ‘carceral aesthetics’. Set within environments marked by repression, contributors reveal how artistic practices become vital strategies of coping, resistance and political expression, while also being entangled in institutional rehabilitation agendas.

Bringing together global scholarship, artist experiences and practice-based insights, the book interrogates the motivations, tensions and histories that shape prisoner arts, highlighting their role as testimonies to the lived experience—and pains—of captivity. Together, the chapters offer a theoretical framework for understanding the promises and contradictions of carceral arts today.

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Weitere Infos & Material


1. Introduction: Dialogues on Prison, the Arts and the Hope for Justice - Anastasia Chamberlen and Ruth Bernatek

Part I: Identity & The Creative Self

2. In Conversation With Dalton Harrison (UK) - Ruth Bernatek, Anastasia Chamberlen and Dalton Harrison

3. Nameless Not Shameless: International Visual Art Prison Collaborations and the Questions They Raise About Artist Anonymity - Faye Claridge

4. Marks, Doodles, Care, and Agency: Fieldwork Fragments From an Emerging Study Into Self-Led Creativity and Wellbeing Inside Prison Cells - Andrea N. Hadley-Johnson

5. Intersections on the Inside: Gender and Class in a Prison Art Studio in California, USA - Laura Pecenco

6. Escaping the Frames: Aesthetic Practices in Search of Other Justices in Latin America - Cristiane Checchia and Mário René Rodríguez Torres

7. Overcoming Dehumanization: Prison Arts and Future IDs As Rehumanization - Luis S. Garcia

Part II: Representations & Methods

8. In Conversation With Damien Linnane (Australia) - Ruth Bernatek, Anastasia Chamberlen and Damiaen Linnane

9. A Prison, a Prisoner, and a Prison Guard: An Exploration of Carcerality in the Middle East and North African (MENA) Region - Susan Aboeid, Sumaya Tabbah and Supna

10. Getting Out by Getting In: The Group as an Escape - Charlotte Weinberg

11. Carceral Performance, Histories of Prison Arts, and Liberatory Memory Work in Rideout’s the Ballad of the Whistling Man - Sarah Bartley

12. Definitive Practice: Promoting Infrastructures of Creative Rehabilitation in England - Sarah Hartley

Part III: Work, Healing & Resistance

13. In Conversation With Jess Collier (UK) - Anastasia Chamberlen and Jess Collier

14. A Story of Creative Writing in Prisons: Working on Generative Justice - Ella Simpson

15. Empowering Voices: Applied Puppetry as a Tool for Healing and Identity Mapping in Young Refugee Inmates in Greece - Magda Vitsou

16. From ‘Crime Scene’ to ‘Music Scene’? Music Therapy in a Scandinavian Prison - Kjetil Hjørnevik

17. Bodies, Resilience and Dance in French and Canadian Prisons - Sylvie Frigon and Claire Jenny

18. Prison Writing and Critical Perspectives on Justice and Incarceration in Argentina - Juan Pablo Parchuc

19. Epilogue: Who Am I Poem and Reflections from the Dispersed Collective


Chamberlen, Anastasia
Anastasia Chamberlen is Professor of Sociology and Principal Investigator of the AHRC-funded Captive Arts research project, University of Warwick.

Bernatek, Ruth
Ruth Bernatek is Research Fellow at the School of Law, University of Warwick and was previously Post-Doctoral Researcher at the Captive Arts project.

Anastasia Chamberlen is Professor of Sociology and Principal Investigator of the AHRC-funded Captive Arts research project, University of Warwick.

Ruth Bernatek is Research Fellow at the School of Law, University of Warwick and was previously Post-Doctoral Researcher at the Captive Arts project.



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