Flagellant Confraternities and Italian Art, 1260-1610

Ritual and Experience
0. Auflage 2018
ISBN: 978-94-6298-468-4
Verlag: Amsterdam University Press

Buch, Englisch, Band 5, 256 Seiten, Format (B × H): 175 mm x 241 mm, Gewicht: 771 g

Reihe: Visual and Material Culture, 1300-1700

This book examines the art and ritual of flagellant confraternities in Italy from the fourteenth to the seventeenth centuries. Meeting regularly to beat themselves with whips, members of these confraternities concentrated on the suffering of Christ in the most extreme and committed way, and the images around them provided visual prompts of the Passion and the model suffering body. This study presents new findings related to a variety of artworks including altarpieces, banners, wall paintings, illuminated manuscripts, and paintings for the condemned, many from outside the Florence-Rome-Venice triangle.

Autoren/Hrsg.

Chen, Andrew

Fachgebiete

• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: Renaissance, Manierismus

Inhaltsverzeichnis

Table of Contents List of Illustrations Colour Plates Acknowledgements Part I. Art and ritual, to 1450 1. Flagellation and Its Settings 2. Images at Entrances, and Ascesis 3. Mass 4. Comforting 5. Processions Part II. Transformations 6. Changes in Ritual before Trent 7. Changes in Imagery before Trent: Sansepolcro and Volterra 8. After Trent: Florence and Milan Epilogue: Global Flagellation Notes Bibliography Index

Über Autor(innen)

Chen, Andrew
Andrew Chen is Assistant Professor of Early Modern Art at Texas State University. In 2020-21 he was CRIA Fellow at Villa I Tatti, the Harvard University Center for Italian Renaissance Studies.

"https://cambridge.academia.edu/AndrewChen">Andrew Chen was educated at Harvard University and at the University of Cambridge. He is currently Research Fellow at St John's College, Cambridge.