Andrzej Zulawski

Abject Cinema
1. Auflage 2025
ISBN: 978-1-041-17557-5
Verlag: Taylor & Francis

Buch, Englisch, 248 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 460 g

Reihe: Eastern European Screen Cultures

Andrzej Zulawski (1940–2016) was born in Lwów, Poland (now Lviv, Ukraine) and educated in Paris. From 1971 to 2015 he directed thirteen feature films. Andrzej Zulawski: Abject Cinema interprets the director’s oeuvre through the methodological lens of Julia Kristeva’s notions of the abject and the semiotic chora, with the narratives in Zulawski’s filmography amounting to an experience of the abject -being not merely the state of affairs among the films’ subjects but also of their collective regression to a semiotic non-verbal state divorced from the symbolic verbal-visual language employed by cinema as a whole. It further contextualizes this interpretation with the sociopolitical circumstances from which Zulawski emerged, specifically his Polish homeland occupied by various foreign powers, his emigre status in France, and the influence of the Polish Romantic movement.

Zielgruppe

Academic

Autoren/Hrsg.

Corinth, Henri de

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmproduktion, Filmtechnik
• Geisteswissenschaften Kunst Kunstformen, Kunsthandwerk Installations-, Aktions-, Computer- und Videokunst
• Geisteswissenschaften Sprachwissenschaft Sprachwissenschaften

Inhaltsverzeichnis

Part I: Landscapes of Affect, Chapter 1: Kristeva and Zulawski, Chapter 2: Zulawski and Ideology, Chapter 3: The Maternal, Chapter 4: Landscapes of Affect, Part II: Abject Cinema, Chapter 5: Children Are An Ism, Chapter 6: Coenesthesia, Chapter 7: Borders, Chapter 8: Performance, Chapter 9: Loss of Subjecthood, Chapter 10: Returning to the Womb, Chapter 11: The Image of Film Violence, Chapter 12: The Sight of a Corpse, Part III: Unfathomable, Darkness - A Conclusion, Index.

Über Autor(innen)

Henri de Corinth is a film writer based in Washington DC. An art historian and linguist by training, his writing has appeared in Lo Specchio Scuro, MUBI Notebook, Kinoscope, Senses of Cinema, and We Are The Mutants.