Nonhuman Cinema

Erscheinungsjahr 2026
ISBN: 978-1-80413-263-0
Verlag: University of Exeter Press

Buch, Englisch, 308 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 572 g

In an era defined by environmental crisis, artificial intelligence, and multispecies interdependence, what happens if we continue to ignore crucial nonhuman relationships that weigh so significantly on the future of the planet? Nonhuman Cinema explores how film can destabilize anthropocentrism and help us see and think beyond the human. In doing so, it defines what a nonhuman cinema might look like—its parameters, major characteristics, goals, and significance.

Bringing together leading scholars and filmmakers, this book introduces a new framework for understanding film as a site of entanglement between humans, animals, aliens, ecosystems, cyborgs, machines, galaxies and the natural world. It examines how films can decentre the human gaze, disrupt anthropocentric narratives, undermine ontological categories, and immerse viewers in unfamiliar territories, temporalities and sensoria. Importantly, it also asks what happens when cinema itself becomes nonhuman: when the camera is no longer viewed as an instrument of human vision but as a participant in the world’s material and sensory life.

Written and edited by individuals at the forefront of film and media theory, Nonhuman Cinema offers an original and vital intervention in contemporary thought. It will appeal to readers interested in film studies, media, philosophy, new materialism, environmental humanities, feminism, queer theory, art history, and to anyone curious about how cinema can help us rethink what ‘human’ really means in the twenty-first century.

Autoren/Hrsg.

Creed, Barbara

Escobar, Cristóbal

Fachgebiete

• Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Freizeitsoziologie, Konsumsoziologie, Alltagssoziologie, Populärkultur
• Geisteswissenschaften Kunst Künstlerische Stoffe, Motive, Themen Künstlerische Stoffe, Motive, Themen: Natur & Tiere (Stillleben, Landschaften etc.)
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmtheorie, Filmanalyse

Inhaltsverzeichnis

Introduction. New Approaches to Film and the Nonhuman. Barbara Creed and Cristóbal Escobar

PART ONE

Introduction. EcoCinema, Nature and the Anthroprocene Barbara Creed and Cristóbal Escobar

Chapter 1. More-than-human Visualities in Recent Palestinian Film and Video Anat Pick

Chapter 2. The Sensuous Appeal of Mountains in Film Vincent Deville

Chapter 3. Screening Nature: Landscape and Ecocentrism in the Films of Michael Snow and James Benning Jelena Miseljic

Chapter 4. Night Skies: Star-gazing as proto-cinema Sean Cubitt

PART TWO

Introduction, Interspecies Encounters of the Nonhuman Kind Barbara Creed and Cristóbal Escobar

Chapter 5. A Silent Anarchist Bestiary in Early Cinema Alice Leroy

Chapter 6. Space, Time, and Agency: Non/Human Entanglements in Alex Garland’s Annihilation Zina Giannopoulou

Chapter 7. Interspecies Encounters: Valdimar Jóhannsson's Lamb and the Impure Ontologies Inhabiting the Anthropocene Luis Barboza

PART THREE

Introduction. ‘Remains of the Day’: Eating the Human Barbara Creed and Cristóbal Escobar

Chapter 8. Displacement on the Butcher’s Block Des Bellamy

Chapter 9. Part of the Feast: NBC’s Hannibal as Plumwoodian Narrative Ivana Brehas

PART FOUR

Introduction. Queering Anthropocentrism Barbara Creed and Cristóbal Escobar

Chapter 10. Stray Ethics & Queer Becomings: My Octopus Teacher Barbara Creed

Chapter 11. (Trans)ending the Body: Queering Fatherhood in Julia Ducournau’s Titane Iliana Cuellar

Chapter 12. Fuse Box: How the Television Set Interlaces Queer Bodies in Horror Cinema Claire Henry

PART FIVE

Introduction. Screening a Nonhuman Sensorium Barbara Creed and Cristóbal Escobar

Chapter 13. Skin and shadows: spirited materialism in Liang Luscombe’s evocation of the ghostly feminine Tessa Laird

Chapter 14. Films to Make a World of Many Worlds: Sensoriality, Wonder and Gaps of Knowledge to Show the Pluriverse Clara Kleninger-Wanik

Chapter 15. Exteriority and Ambiguity. On Pedro Costa's Cavalo Dinheiro and Vitalina Varela Reinhold Görling

Über Autor(innen)

Creed, Barbara
Barbara Creed is the Redmond Barry Distinguished Professor Emeritus at the University of Melbourne. She is the author of seven books including The Monstrous-Feminine: Film, Feminism, Psychoanalysis (1993, 2024), Return of the Monstrous-Feminine: Feminist New Wave Cinema (2022 ) and Stray: Human–Animal Ethics in the Anthropocene (2017). Her writings have been translated into eleven languages.

Escobar, Cristóbal
Cristóbal Escobar is a Lecturer in Screen Studies at the University of Melbourne and a Film Programmer at the Santiago International Documentary Film Festival. He is the author of The Intensive-Image in Deleuze’s Film-Philosophy (2023), editor of Cine Cartográfico (2017), and is currently writing a monograph on Mestizaje and Cinema.