Buch, Englisch, 192 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 426 g
Reihe: Interface
Buch, Englisch, 192 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 426 g
Reihe: Interface
ISBN: 978-0-415-13794-2
Verlag: Routledge
The contributors demonstrate the validity of analysing the text of a play, as opposed to focusing on performance. Divided into four broad, yet interconnecting groups, the chapters:
- open up some of the basic mechanisms of conversation and show how they are used in dramatic dialogue
- look at how discourse analysis and pragmatic theories can be used to help us understand characterization in dialogue
- consider some of the cognitive patterns underlying dramatic discourse
- focus on the notion of speech as action
- there is also a chapter on how to analyse an extract from a play and write up an assignment
Zielgruppe
Postgraduate
Autoren/Hrsg.
Weitere Infos & Material
Notes on contributors, Acknowledgements, 1. Introduction, 2. From dramatic text to dramatic performance, 3. Turn management in drama, 4. Odd talk: studying discourses of incongruity, 5. Implicature, convention and The Taming of the Shrew, 6. Accessing character through conversation: Tom Stoppard’s Professional Foul, 7. (Im)politeness in dramatic dialogue, 8. ‘Catch[ing] the nearest way’: Macbeth and cognitive metaphor, 9. Three models of power in David Mamet’s Oleanna, 10. ‘Unhappy’ confessions in The Crucible: a pragmatic explanation, 11. The give and take of talk, and Caryl Churchill’s Cloud Nine, 12. Advice on doing your stylistics essay on a dramatic text: an example from Alan Ayckbourn’s The Revengers’ Comedies, Bibliography, Index