Buch, Englisch, 254 Seiten, Format (B × H): 160 mm x 240 mm, Gewicht: 500 g
Decolonizing Art Book Fairs
Can we decolonize art book fairs? Can we decentralize knowledge and deconstruct privilege in our contexts? Decolonizing Art Book Fairs aims to rethink through the existing and speculative frameworks of organizational practice in the art book fairs.
ISBN: 978-3-96287-001-0
Verlag: MISS READ
Publishing Practices from the South(s). Workbook.
Buch, Englisch, 254 Seiten, Format (B × H): 160 mm x 240 mm, Gewicht: 500 g
ISBN: 978-3-96287-001-0
Verlag: MISS READ
Can we decolonize art book fairs? Can we decentralize knowledge and deconstruct privilege in our contexts? Decolonizing Art Book Fairs aims to rethink through the existing and speculative frameworks of organizational practice in the art book fairs. This workbook attempts to introduce new narratives and help deconstruct the frontiers between north(s) and south(s), putting an emphasis on practitioners and initiatives from the African continent and diaspora. A workbook with (primarily newly commissioned) texts and interviews.
Contributors: O Menelick 2Ato, Zamân Books & Curating, Fouad Asfour, Jean-Claude Awono, Chayet Chiénin, chimurenga, Raoul Djimeli, Yvonne Wanjeri Gakuru, Aryan Kaganof, Sharlene Khan, Grada Kilomba, Carla Lever, Dzekashu MacViban, Gladys Mendía, James Murua, Tinashe Mushakavanhu, Bonaventure Soh Bejeng Ndikung, Simon Njami, Monica Nkodo, Pascale Obolo, Mario Pissarra, Sergio Raimundo, Flurina Rothenberger, Bienvenu Sene, Bisi Silva, Kwanele Sosibo, Parfait Tabapsi, Louise Umutoni.
Autoren/Hrsg.
Weitere Infos & Material
INTRODUCTION 9
Editorial 10
The Publication as a Decolonial Tool 12
Yaiza Camps
Decolonizing Art Book Fairs 18
Michalis Pichler
To Continue the Fight: Pascale Obolo and Parfait Tabapsi 28
in Conversation with Moritz Grünke
PUBLISHING AS POLITICAL ISSUE 45
African Art Book Fair (AABF) for What? 46
Making the Invisible Visible: Publishing as a Political Issue
Pascale Obolo
The Strength of the Orí That Shines in the Brazilian Editorial Market 54
Renata Felinto
Pursuing a Research Agenda: The Role of ASAI as Publisher 60
Mario Pissarra
Who can Speak? Speaking at the Centre, Decolonizing Knowledge 66
Grada Kilomba
News from a Real Time 74
O Menelick 2Ato
Chronicling the Chimurenga Chronicle 80
Chimurenga
Imagining an African Feminist Press 86
Sharlene Khan
Why Talk about Artists’ Publishing Practices in Southern Africa? 96
Fouad Asfour
Chaos and Metamorphosis 104
Simon Njami
After Corona: South African Publishing and the Future for a Reading Nation 116
Dr Carla Lever
We Manage Research and Publishing Activities at the Same Time 128
Bienvenu Sene
PUBLISHING AS CURATORIAL PRACTICE 135
Creating Space for a Hundred Flowers to Bloom 136
Bisi Silva
We Focus on Emerging Writers throughout Africa 144
Louise Umutoni
Curation and Collaboration as a Publishing Practice 152
Dzekashu MacViban
Trading War Stories 156
Kwanele Sosibo
About herri 162
Aryan Kaganof
NICE Magazine 174
Flurina Rothenberger
Zamân Books & Curating 184
Jalada Africa: A Story of a Journey across 186
the Publishing Landscape of a Continent
Wanjeri Gakuru and Kate Hampton
DisOthering as Method (Leh zo, a me ke nde za) 192
Bonaventure Soh Bejeng Ndikung
DISTRIBUTION AND CIRCULATION 201
Publishing Practices from Continental Africa 202
and the African Diaspora: Kenya
James Murua
Our Publications Are Free on the Internet 208
Gladys Mendía
The Contribution of Cultural Associations to the Rise of Publishing in Chad 212
Djimeli Raoul
Mosaïques: A journey towards the African press dreamland 218
Parfait Tabapsi
The Publication of New Authors in Mozambique: From the 224
Resistance of Publishers to the Closed Doors of Bookstores
Sergio Raimundo
Publishing in Africa: CLE or the Strength of Pan-Africanism 228
Monica Nkodo
Our Publishing Businesses Aren’t Based on Reliable Management Foundations 234
Jean-Claude Awono
How Is the New Generation of African Publishers 242
Conjuring Up New Social Imaginaries and Discourses?
Chayet Chiénin
CONTRIBUTOR BIOGRAPHIES 249
Colophon 254
