Dreier / Andina | Digital Ethics | Buch | 978-1-5099-6414-7 | www.sack.de

Buch, Englisch, 432 Seiten, Hardback, Format (B × H): 156 mm x 234 mm, Gewicht: 605 g

Reihe: Nomos/Hart

Dreier / Andina

Digital Ethics

The issue of images
Erscheinungsjahr 2022
ISBN: 978-1-5099-6414-7
Verlag: Bloomsbury Publishing plc

The issue of images

Buch, Englisch, 432 Seiten, Hardback, Format (B × H): 156 mm x 234 mm, Gewicht: 605 g

Reihe: Nomos/Hart

ISBN: 978-1-5099-6414-7
Verlag: Bloomsbury Publishing plc


Can there even be an applied ethics of digital images? What content could such a normative ethics have? And finally: What is the relationship between ethics and the law of digital images? This book collects contributions of an interdisciplinary German-Italian conference in the Villa Vigoni funded by the DFG to explore the ethical questions raised by digital images.

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Weitere Infos & Material


Part 1 From Drawings to Deep Fakes - Some Introductory Remarks

Chapter 1 Images, Technology, Ethics and Law - An Intricate Relationship

Thomas Dreier/Tiziana Andina

Chapter 2 From Goethe's Italian Journey to Transalpine Online Navigation - Narrative Changes and Transnational Stereotypes

Werner Gephart

Part 2 Ethical Foundations

Chapter 3 Digital Image Ethics - How it Could be Pursued and What It Might Have to Say

Reinold Schmücker

Chapter 4 Form and Norm in Pictures
Enrico Terrone

Part 3 Images, Art and Society

Chapter 5 Who Cares About Privacy? - The Documedia Surplus Value

Maurizio Ferraris

Chapter 6 Immersive Artistic Forms - What They Are and How to Identify Them

Davide Dal Sasso

Chapter 7 From Works to Living Means of Communication - The Digital Image and the 'Iconic Turn'

Wolfgang Ullrich

Chapter 8 Fairness Aspects of Techniques of Referencing Cultures

Eva-Maria Bauer

Chapter 9 Towards a New Ethic: Building Transgenerationality - Digital Images to Orient the Future

Tiziana Andina

Chapter 10 Iconoclasm and Iconoclash - The Digital Restoration of the Movement-Image

Cosetta Saba

Part 4 Binary Encoding, Artificial Intelligence and the Dissolution of the Visual Object

Chapter 11 Semioethics of the Visual Fake
Massimo Leone

Chapter 12 From Copy & Paste to Deep Fakes - Digital Collaging and Image Manipulation

Olivia Hägle

Chapter 13 The Multi-Layered Information in a Digital Image
Benjamin Raue

Chapter 14 Portrait or Personal Data - The Rivalry of Image and Data Protection Legislation

Lorenz Müller-Tamm

Chapter 15 Human Authorship and Art Created by Artificial Intelligence - Where Do We Stand?

Gianmaria Ajani

Part 5 Technology, Ethics and Legal Norms

Chapter 16 A Face in the Cloud? - Identifying Moral Issues and Constraints in Cloud-Based Image Storage

Wybo Houkes

Chapter 17 The Deontic Power of the Internet - Access Controls and the Obsolescence of Legal Norms

Thomas Dreier

Chapter 18 Algorithmic Censorship of Online Visual Content - Ethical, Political, and Economic Rationales

Eberhard Ortland

Chapter 19 The Issue of the Image of Algorithms

Lisa Käde

Part 6 Ethics and Fundamental Rights

Chapter 20 The Constitutional Protection of Images
Johannes Eichenhofer

Chapter 21 Contemporary Art on Trial - The Fundamental Right to Free Artistic Expression and the Regulation of the Use of Images by Copyright Law

Christophe Geiger


Dreier, Thomas
Thomas Dreier is Professor of Civil Law and Questions of the Information Society at the Karlsruhe Institute of Technology (KIT), Germany.

Andina, Tiziana
Tiziana Andina is Professor of Philosophy and Director of the Labont Center for Ontology at the University of Turin, Italy. She is co-editor of the Brill Research Perspectives in Art and Law series and of the Bloomsbury Aesthetics and Contemporary Art series.

Thomas Dreier is Professor of Civil Law and Questions of the Information Society at the Karlsruhe Institute of Technology (KIT), Germany.

Tiziana Andina is Full Professor of Philosophy at the University of Turin, Italy.



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