Buch, Englisch, 246 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 405 g
Buch, Englisch, 246 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 405 g
ISBN: 978-1-107-43882-8
Verlag: Cambridge University Press
This book is a history of women, radio, and the gendered constructions of voice and sound in Buenos Aires, Argentina, and Montevideo, Uruguay. Through the stories of five women and one radio station, this study makes a substantial theoretical contribution to the study of gender, mass media, and political culture and expands our knowledge of these issues beyond the US and Western Europe. Included here is a study of the first all-women's radio station in the Western Hemisphere, an Argentine comedian known as 'Chaplin in Skirts', an author of titillating dramatic serials and, of course, Argentine First Lady 'Evita' Perón. Through the concept of the gendered soundscape, this study integrates sound studies and gender history in new ways, asking readers to consider both the female voice in history and the sonic dimensions of gender.
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Geschichte einzelner Länder Amerikanische Geschichte
- Sozialwissenschaften Ethnologie | Volkskunde Volkskunde Minderheiten, Interkulturelle & Multikulturelle Fragen
- Wirtschaftswissenschaften Wirtschaftssektoren & Branchen Medien-, Informations und Kommunikationswirtschaft
- Sozialwissenschaften Soziologie | Soziale Arbeit Soziale Gruppen/Soziale Themen Gender Studies, Geschlechtersoziologie
- Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Soziologie von Migranten und Minderheiten
Weitere Infos & Material
Introduction: gender in and on the air; 1. Radio and the modern girl: Silvia Guerrico and Buenos Aires broadcasting; 2. A station for women in Montevideo: Radio Femenina; 3. Feminism and populism on the airwaves: Paulina Luisi and Eva Duarte de Perón; 4. Chaplin in Skirts? Niní Marshall; 5. Nené Cascallar: airing clean and dirty longing; Echoes of soundscapes past: epilogue and conclusion.