An Introduction to the Philosophy of Art

2. Auflage 2017
ISBN: 978-1-107-61444-4
Verlag: Cambridge University Press

Buch, Englisch, 322 Seiten, Format (B × H): 170 mm x 244 mm, Gewicht: 565 g

Reihe: Cambridge Introductions to Philosophy

An Introduction to the Philosophy of Art is a clear and compact survey of philosophical theories of the nature and value of art, including in its scope literature, painting, sculpture, music, dance, architecture, movies, conceptual art and performance art. This second edition incorporates significant new research on topics including pictorial depiction, musical expression, conceptual art, Hegel, and art and society. Drawing on classical and contemporary philosophy, literary theory and art criticism, Richard Eldridge explores the representational, formal and expressive dimensions of art. He argues that the aesthetic and semantic density of the work, in inviting imaginative exploration, makes works of art cognitively, morally and socially important. This importance is further elaborated in discussions of artistic beauty, originality, imagination and criticism. His accessible study will be invaluable to students of philosophy of art and aesthetics.

Autoren/Hrsg.

Eldridge, Richard

Fachgebiete

• Geisteswissenschaften Kunst Kunst, allgemein Kunsttheorie, Kunstphilosophie
• Geisteswissenschaften Philosophie Ästhetik
• Geisteswissenschaften Philosophie Geschichte der Westlichen Philosophie

Inhaltsverzeichnis

Preface; 1. The situation and tasks of the philosophy of art; 2. Representation, imitation, and resemblance; 3. Beauty and form; 4. Expression; 5. Originality and imagination; 6. Understanding art; 7. Identifying and evaluating art; 8. Art and emotion; 9. Art and morality; 10. Art and society: some contemporary practices of art; 11. Epilogue: the evidence of things not seen.

Über Autor(innen)

Eldridge, Richard
Richard Eldridge is Charles and Harriett Cox McDowell Professor of Philosophy at Swarthmore College. He is the author of five books, including most recently Literature, Life, and Modernity (2008), and the editor of four volumes, including The Oxford Handbook of Philosophy and Literature (2009) and (with Bernard Rhie) Stanley Cavell and Literary Studies: Consequences of Skepticism (2011).