Buch, Englisch, 244 Seiten, Format (B × H): 179 mm x 254 mm, Gewicht: 689 g
Buch, Englisch, 244 Seiten, Format (B × H): 179 mm x 254 mm, Gewicht: 689 g
Reihe: Studies in Art Historiography
ISBN: 978-1-4724-1884-5
Verlag: Taylor & Francis
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Kunst Kunst, allgemein Geschichte der Kunstwissenschaft und Kunstkritik
- Geisteswissenschaften Kunst Kunstgeschichte
- Geisteswissenschaften Geschichtswissenschaft Geschichtswissenschaft Allgemein Historiographie
- Geisteswissenschaften Kunst Kunst, allgemein Kunsttheorie, Kunstphilosophie
Weitere Infos & Material
Contents:
Introduction: Some Stakes of Comparison, by Stanley K. Abe and Jas Elsner
Chapter 1: Our Literal Speed, by Our Literal Speed
Chapter 2: Locations of Comparison: Some Personal Observations, by Wu Hung
Chapter 3: Bivisibility: Why Art History is Comparative, by Whitney Davis
Chapter 4: Redundacy, Transformation, Impersonation, by Margaret Olin
Chapter 5: The Object in the Comparative Context, by Ittai Weinryb
Chapter 6: Sculpture: A Comparative History, by Stanley K. Abe
Chapter 7: Intersecting Historiographies: Henri Pirenne, Ernst Herzfeld, and the Myth of Origin, by Avinoam Shalem
Chapter 8: Comparativism in Anthropology: Big Questions and Scaled Comparison – An Illusive Dream?, by Susanne Küchler
Chapter 9: Was the Knidia a Statue? Art History and the Terms of Comparison, by Richard Neer
Chapter 10: Christian Marclay’s Real Time Fiction, by Robert Slifkin
Chapter 11: Narrative, Naturalism and the Body in Classical Greek and Early Imperial Chinese Art, by Jeremy Tanner