Buch, Englisch, Band 6, 228 Seiten, Format (B × H): 157 mm x 235 mm, Gewicht: 527 g
A Cultural History of the Grotesque
Buch, Englisch, Band 6, 228 Seiten, Format (B × H): 157 mm x 235 mm, Gewicht: 527 g
Reihe: Cambridge Studies in American Theatre and Drama
ISBN: 978-0-521-56111-2
Verlag: Cambridge University Press
This book proposes a correlation between the divided 'mind' of America during the Depression and popular stage works of the era. Theatre works such as Jack Kirkland's comic-horrific adaptation of Tobacco Road, Olsen and Johnson's 'scream-lined revue', Hellzapoppin, and successful plays by Robert E. Sherwood, Clare Boothe Luce and S. N. Behrman are interpreted as theatrical reflections of Depression culture's sense of being trapped between a discredited past and a nightmarish future. The author analyses America of the 1930s as an era of the 'grotesque', in which the irreconcilable were forced into tense and dynamic coexistence, and by examining these works of theatre as products of particular historical circumstances, argues for a strong connection between cultural history and theatre history.
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatersoziologie, Theaterpsychologie
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatergeschichte
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatertheorie, Ästhetik des Theaters, Theaterkritik
Weitere Infos & Material
List of illustrations; Acknowledgments; Introduction: loving the grotesque; 1. The grotesque and the Great Depression; 2. The political analogy; or, 'tragicomedy' in an in-between age; 3. Misery burlesqued: the peculiar case of Tobacco Road; 4. Chaos and cruelty in the theatrical space: Horse Eats Hat, Hellzapoppin, and the pleasure of farce; Appendix: cast and staff information for principal productions; Notes; Bibliography; Index.
