Buch, Englisch, Band 14, 288 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 471 g
Reihe: Early Music History
Studies in Medieval and Early Modern Music
Buch, Englisch, Band 14, 288 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 471 g
Reihe: Early Music History
ISBN: 978-0-521-10439-5
Verlag: Cambridge University Press
Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume fourteen include: Roger de Chabannes, cantor of St Martial, Limoges; Music in Corpus Christi procession of fifteenth-century Barcelona; Song masses in the Trent Codices: the Austrian connection; Confrerie, Bruderschaft and guild: the formation of musicians' fraternal organisations in thirteenth- and fourteenth-century Europe.
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
1. Tempo relationships between duple and triple time in the sixteenth century Ruth I. Deford; 2. Roger de Chabannes, cantor of St Martial, Linoges James Grier; 3. Reading Aron reading Petrucci: the music examples of the Trattato della natura et cognitione di tutti gli tuoni Christle Collins Judd; 4. Music in the Corpus Christi procession of fifteenth-century Barcelona Kenneth Kreitner; 5. Song masses in the Trent Codices: the Austrian connection Adelyn Peck Leverett; 6. Confrerie, Bruderschaft and guild: the formation of musicians' fraternal organisations in thirteenth- and fourteenth-century Europe Kay Brainerd Slocum.
