Classical Music, Why Bother?

Hearing the World of Contemporary Culture Through a Composer's Ears
1. Auflage 2006
ISBN: 978-0-415-97174-4
Verlag: Routledge

Buch, Englisch, 180 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 273 g

The famous quip I don't know much about art, but I know what I like sums up many people's ideas about how to judge a work of art; but there are inherent limitations if we rely on immediate impressions in judging what should be enduring products of our culture. While some might criticize this as a return to elitism, Joshua Fineberg argues that without some way of determining intrinsic value, there can be no movement forward for creators or their audience. He draws on contemporary thought about Design space and Universal Grammar to show how intrinsic values can be rediscovered. He then looks at the importance of multimedia in allowing multiple points of entry for the discovering of new works, finally showing how the composer can Design music for human beings--creating a kind of art that can preserve the research agenda of conceptual work without renouncing the understanding of human listeners and performers embodied by craft. Classical Music: Why Bother? will intrigue all listeners of contemporary music, students of musical thought, and composers-but it will also interest students of contemporary aesthetics. It answers the age-old question How can we bring a new audience to contemporary art? - and challenges both the creators and their audience to broaden their ideas about what is valuable and lasting in today's culture.

Zielgruppe

General

Autoren/Hrsg.

Fineberg, Joshua

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Geschichte der Musik Geschichte der Musik: Klassik (ca. 1750-1830)

Inhaltsverzeichnis

Chapter 1 Aesthetic Value Chapter 2 Taste Chapter 3 Concept and Craft Chapter 4 Elitism Chapter 5 Technology Chapter 6 Design Space Chapter 7 “Understanding” Music Chapter 8 Designing Music for Human Beings, Coda

Über Autor(innen)

Joshua Fineberg is the John L. Loeb Associate Professor of the Humanities at Harvard University and Associate Director of the Harvard University Studio for Electroacoustic Composition. He is a well-known composer whose works have been performed around the world.