Understanding The Simpsons

A Media Phenomenon at the Edge of Convergence Culture
1. Auflage 2016
ISBN: 978-3-8288-3785-0
Verlag: Tectum Verlag

Buch, Englisch, 262 Seiten, broschiert, Format (B × H): 148 mm x 210 mm, Gewicht: 385 g

Conceived as a renegade TV show in the late 1980s, “The Simpsons” has become one of the most long-lasting and all-pervasive media phenomena in American television history. More than twenty-five years after its television debut, the “Simpsons” series may be beyond its prime; in the realm of popular culture, however, the yellow cartoon characters continue to represent strong cultural currency. In an accessible way, “Understanding ‘The Simpsons’” traces the show’s origins, analyzes its complex position in-between commercial and alternative culture, and examines its role in today’s ludic media environment. Drawing on numerous illustrative examples from the series and the paratextual realm that surrounds it, Moritz Fink puts “The Simpsons” in the timely context of transmedia relationships and convergence culture. From this perspective, “Understanding ‘The Simpsons’” demonstrates that the significance of Homer and Co. lies less in their economic persistence than in their permanent cult status.

Autoren/Hrsg.

Fink, Moritz

Fachgebiete

• Sozialwissenschaften Sport | Tourismus | Freizeit Humor
• Wirtschaftswissenschaften Wirtschaftssektoren & Branchen Medien-, Informations und Kommunikationswirtschaft
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio
• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften Fernsehen & Rundfunk

Inhaltsverzeichnis

List of Figures
Acknowledgments
Introduction
PART ONE: INDUSTRY
4. Alternative TV: Fox, Gen Xers, and the Profits of Subversion
5. Echoes from the Counterculture: A Liberalist Agenda on Prime Time
PART TWO: AESTHETICS
6. Cartoon Revival: The Simpsons and the Renaissance of Animation
7. Gen-X Sensibility: Representing Participatory Culture
PART THREE: PARTICIPATION
8. Springfield’s Participatory Realm: Unfolding the Simpsons Cult
9. Jamming with The Simpsons: Public Images in Remix Culture
Conclusion: Television at the Edge of Convergence Culture
Appendix: An Interview with Henry Jenkins
Simpsons Episodes Cited
Audiovisual Primary Sources
References
Index

Über Autor(innen)

Moritz Fink is a media scholar and author. He holds a doctoral degree in American Studies from the University of Munich, and has published on “The Simpsons”, media satire, and visual representations of the grotesque.