Theatre and Governance in Britain, 1500-1900

Erscheinungsjahr 2020
ISBN: 978-1-316-63331-1
Verlag: Cambridge University Press

Buch, Englisch, 292 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 397 g

This book begins with a simple observation - that just as the theatre resurfaced during the late Renaissance, so too government as we understand it today also began to appear. Their mutually entwining history was to have a profound influence on the development of the modern British stage. This volume proposes a new reading of theatre's relation to the public sphere. Employing a series of historical case studies drawn from the London theatre, Tony Fisher shows why the stage was of such great concern to government by offering close readings of well-known religious, moral, political, economic and legal disputes over the role, purpose and function of the stage in the 'well-ordered society'. In framing these disputes in relation to what Michel Foucault called the emerging 'art of government', this book draws out - for the first time - a full genealogy of the governmental 'discourse on the theatre'.

Autoren/Hrsg.

Fisher, Tony

Fachgebiete

• Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Kultur- und Ideengeschichte
• Sozialwissenschaften Politikwissenschaft Politikwissenschaft Allgemein
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft

Inhaltsverzeichnis

Introduction. The discourses of theatre and governance; Part I. Origins of the Discourse on Theatre: 1. The theatre of the multitude; 2. Revolts of conduct on the Restoration stage; Part II. Theatre and its Publics: 3. Theatrocracy and the public sphere; 4. The Beggar's Opera and the criminal picturesque; 5. The deontic stage in the eighteenth century: George Lillo's The London Merchant; Part III. Theatre in the Age of Reform: 6. The governmentalisation of the stage; 7. The theatre dispositif of the late-nineteenth century.

Über Autor(innen)

Fisher, Tony
Tony Fisher is a Reader in Theatre and Philosophy at the Royal Central School of Speech and Drama, University of London, where he is Associate Director of Research (Research Degrees). He has published a number of journal articles in both theatre and philosophy, and he is the co-editor of books including Performing Antagonism: Theatre, Performance and Radical Democracy (2016) and Theatre, Performance, Foucault! (forthcoming).