The Colour Fantastic

Chromatic Worlds of Silent Cinema
0. Auflage 2018
ISBN: 978-94-6298-301-4
Verlag: Amsterdam University Press

Buch, Englisch, 312 Seiten, Format (B × H): 156 mm x 234 mm

Reihe: Framing Film

Sparked by a groundbreaking Amsterdam workshop titled "Disorderly Order: Colours in Silent Film," scholarly and archival interest in colour as a crucial aspect of film form, technology and aesthetics has enjoyed a resurgence in the past twenty years. In the spirit of the workshop, this anthology brings together international experts to explore a diverse range of themes that they hope will inspire the next twenty years of research on colour in silent film. Taking an interdisciplinary approach, the book explores archival restoration, colour film technology, colour theory, and experimental film alongside beautifully saturated images of silent cinema.

Autoren/Hrsg.

Fossati, Giovanna

Jackson, Victoria

Lameris, Bregt

Rongen-Kaynakci, Elif

Street, Sarah

Yumibe, Joshua

Weitere Mitwirkende

Belton, John

Delpeut, Peter

D'haeyere, Hilde

Flueckiger, Barbara

Gipponi, Elena

Gray, Frank

Kamp, Claudy

Peterson, Jennifer

Pfluger, David

Pierotti, Federico

Snoyman, Natalie

Moana Thompson, Kirsten

Turquety, Benoît

Watkins, Liz

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmtheorie, Filmanalyse

Inhaltsverzeichnis

Introduction Giovanna Fossati, Victoria Jackson, Bregt Lameris, Elif Rongen-Kaynakci, Sarah Street and Joshua Yumibe Prologue Questions of Colours: Taking Sides Peter Delpeut Non-Fiction and Amateur Cinema Fireworks and Carnivals: Natural Colour Processes in Italian Amateur Cinema Elena Gipponi Liminal Perceptions: Intermediality and the Exhibition of Non-fiction Film Liz Watkins Rough Seas and Waterfalls: Lyrical Colors in Silent-Era Nonfiction Film Jennifer Peterson Natural Colour Processes: Theory and Practice ‘Taking the color out of color’: Two-Colour Technicolor, The Black Pirate, and Blackened Dyes John Belton Why Additive? Problems of Colour and Epistemological Networks in Early (Film) Technology Benôit Turquety The Comedy of Colours: The slapstick potential of natural colour in Mack Sennett shorts Hilde D'haeyere Additive and Subtractive: Two Paths Towards Colour Frank Gray Intermediality and Advertising Rainbow Ravine: Color and Animated Advertising in Times Square, 1891- 1915 Kirsten Thompson Negotiating A World Of Color: Films Experiments And Intermedial Practices Natalie Snoyman Foregrounding objects: Advertising, moving images, and the role of colour in French 1920s visual culture Federico Pierotti Archiving and Restoration: Early Debates and Current Practices La Ligue du Noir et Blanc: French Debates on Natural Colour Film and Art Cinema 1926—1927 Bregt Lameris A Material-Based Approach to the Digitisation of Early Film Colours Barbara Flueckiger, Claudy Op den Kamp and David Pfluger Archival Panels (edited transcripts) Preservation, Restoration, Presentation and Policy Sonia Genaitay (BFI), Ulrich Ruedel (BFI and HTW / University of Applied Sciences, Berlin), Bryony Dixon (BFI), Annike Kross (EYE), Tina Anckarman and Tone Føreland (National Library of Norway), Thierry Delannoy and Benjamin Alimi (Digimage-Classics), Fumiko Tsuneishi (Austrian Film Archive), moderated by Giovanna Fossati Digital Restoration’ with Michelle Carlos (National Academy of Fine Arts in Stuttgart), Barbara Flueckiger, Claudy Op den Kamp and David Pfluger (DIASTOR project, University of Zurich), moderated by Giovanna Fossati. Authors’ Biographies Bibliography Acknowledgements

Über Autor(innen)

Yumibe, Joshua
Joshua Yumibe holds a joint appointment as assistant professor and director of Film Studies at Michigan State University and as a lecturer in Film Studies at the University of St Andrews.

Rongen-Kaynakci, Elif
Elif Rongen-Kaynakçi is the Silent Film Curator at the EYE Filmuseum, Amsterdam.

Street, Sarah
Sarah Street is Professor of Film at the University of Bristol. She is the author of British Cinema in Documents (2000), Transatlantic Crossings: British Feature Films in the USA (2002) and Black Narcissus (2004).

Lameris, Bregt
Bregt Lameris is a post-doc at the University of Zürich, Switzerland.

Fossati, Giovanna
Giovanna Fossati is the chief curator of Eye Filmmuseum and professor of Film Heritage and Digital Film Culture at the University of Amsterdam.

Jackson, Victoria
Victoria Jackson is a Postdoctoral Research Associate at the University of Bristol, UK.

"http://www.st-andrews.ac.uk/filmstudies/staff_profiles/dr-joshua-yumibe/" target="_blank">Joshua Yumibe holds a joint appointment as assistant professor and director of Film Studies at Michigan State University and as a lecturer in Film Studies at the University of St Andrews. "http://www.bristol.ac.uk/school-of-arts/people/sarah-c-street/">Sarah Street is Professor of Film at the University of Bristol. She is the author of British Cinema in Documents (2000), Transatlantic Crossings: British Feature Films in the USA (2002) and Black Narcissus (2004). Elif Rongen-Kaynakçi is the Silent Film Curator at the EYE Filmuseum, Amsterdam. "http://www.film.uzh.ch/de/team/postdocs/lameris.html " target="_blank"> Bregt Lameris is a post-doc at the University of Zürich, Switzerland. "https://research-information.bristol.ac.uk/en/persons/victoria-jackson(c9aca29c-9313-4aef-96a6-0dd084b75baf).html">Victoria Jackson is a Postdoctoral Research Associate at the University of Bristol, UK. "http://www.uva.nl/en/contact/staff/item/g.fossati.html?f=fossati" target="_blank">Giovanna Fossati is the chief curator of Eye Filmmuseum and professor of Film Heritage and Digital Film Culture at the University of Amsterdam.