Virtual Theatres

An Introduction
1. Auflage 2004
ISBN: 978-0-415-28378-6
Verlag: Taylor & Francis Ltd

Buch, Englisch, 184 Seiten, Format (B × H): 138 mm x 216 mm, Gewicht: 431 g

The first full-length book of its kind to offer an investigation of the interface between theatre, performance and digital arts, Virtual Theatres presents the theatre of the twenty-first century in which everything - even the viewer - can be simulated.

In this fascinating volume, Gabriella Giannachi analyzes the aesthetic concerns of current computer-arts practices through discussion of a variety of artists and performers including:

* blast Theory
* Merce Cunningham
* Eduardo Kac
* forced entertainment
* Lynn Hershman
* Jodi Orlan
* Guillermo Gómez-Peña
* Marcel-lí Antúnez Roca
* Jeffrey Shaw
* Stelarc.

Virtual Theatres not only allows for a reinterpretation of what is possible in the world of performance practice, but also demonstrates how 'virtuality' has come to represent a major parameter for our understanding and experience of contemporary art and life.

Zielgruppe

Undergraduate

Autoren/Hrsg.

Giannachi, Gabriella

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatergeschichte
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatertheorie, Ästhetik des Theaters, Theaterkritik
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatersoziologie, Theaterpsychologie
• Mathematik | Informatik EDV | Informatik Informatik Virtuelle Realität, Erweiterte Realität

Inhaltsverzeichnis

Introduction 1 Hypertextualities 2 Cyborg theatre 3 The (re-)creation of nature 4 Performing through the hypersurface 5 Towards an aesthetic of virtual reality, Conclusion

Über Autor(innen)

Gabriella Giannachi is a lecturer in Theatre Studies at the University of Lancaster, where her specialist areas include new technologies and performance. She is also co-editor of On Directing (1999) and co-author of Staging the Post-Avant-Garde (2002).