Gisbourne | Andrey Krasulin: Hidden Presence | Buch | 978-3-911586-15-3 | www.sack.de

Buch, Englisch, 92 Seiten, Format (B × H): 160 mm x 235 mm

Gisbourne

Andrey Krasulin: Hidden Presence


1. Auflage 2026
ISBN: 978-3-911586-15-3
Verlag: Barton Verlag

Buch, Englisch, 92 Seiten, Format (B × H): 160 mm x 235 mm

ISBN: 978-3-911586-15-3
Verlag: Barton Verlag


» … Krasulin’s aesthetic is rooted in an anti-aesthetic, for it initially derives from the banality of the commonplace, finds its expression hidden in the raw and mute dumbness of the derelict and discarded matter chosen as his means. To the artist the materials carry hidden intuitive possibilities directed by aesthetics of the trace, informe or ›formlessness‹, where objects have been stripped of utility that was once their material purpose.«
Mark Gisbourne

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Autoren/Hrsg.


Weitere Infos & Material


Gisbourne, Mark
April 3, Stratford-on-Avon, England (1948). Educated in Rome, and the Courtauld Institute of Art, University of London. A Post-Graduate Lecturer, Slade School, University of London, and Sotheby’s Institute, Masters Programmes (accreditation University of Manchester). The President of AICA UK and World Vice President, the co-organiser of the World Congress of the Association International des Critiques d’Art, Tate Modern (2000). A curator of many international art exhibitions, including a Paul Klee: Adult Memories of Childhood exhibition at CAAM, Las Palmas (2008), and German Art since the 1960s exhibition Elective Affinties/Wahlverwandschaften, National Museum of Latvia Riga (2016) There are numerous museum publications including three hundred book and catalogue essays. Recent projects include 500th anniversary exhibition of Lorenzo Puglisi in in Bramante’s Sacristy, Santa Maria delle Grazie, Milan, alongside Leonardo’s ‘Last Supper’ refectory; B.A.R.O.C.K.,
at Schloss Caputh, Potsdam. An overview from the postwar
The Leipzig Connection: Painting in Leipzig Since the Late
1960s, HDLU (Kunsthalle of the Association of Artists), in
Zagreb. His monograph-based essays include Tony Cragg
(Museo Nivola), Adrian Ghenie, Thomas Huber, Magdalena
Jetelová, Carmen Calvo, Sabine Hornig, Ann Wolff and many
others. In collaboration with Christoph Tannert (Director,
Künstlerhaus Bethanien) is Dissonance: Platform Germany,
painting in post-reunification Germany. Recent themes
include publications on Constructivism and Abstraction in
Central Europe (from 1960s), Senses (On the Sixth Sense and
Mediums), and Myth (Myth and the Modern Mind), special
project exhibitions in Prague.



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