Photography and September 11th

Spectacle, Memory, Trauma
1. Auflage 2016
ISBN: 978-1-4742-8621-3
Verlag: Bloomsbury Academic

Buch, Englisch, 196 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 281 g

It is all but impossible to think of September 11th 2001 and not, at the same time, recall an image. The overwhelmingly visual coverage in the world's media pictured a spectacle of terror, from images of the collapsing towers, to injured victims and fatigued firefighters. In the days, weeks and months that followed, this vast collection of photographs continued to circulate relentlessly. This book investigates the psychological impact of those photographs on a stunned American audience. Drawing on trauma theory, this book asks whether the prolonged exposure of audience to photographs was cathartic or damaging. It explores how first the collective memory of the event was established in the American psyche and then argues that through repetitive use of the most powerful pictures, the culture industry created a dangerously simple 9/11 metanarrative. At the same time, people began to reclaim and use photography to process their own feelings, most significantly in 'communities' of photographic memorial websites. Such exercises were widely perceived as democratic and an aid to recovery. This book interrogates that assumption, providing a new understanding of how audiences see and process news photography in times of crisis.

Autoren/Hrsg.

Good, Jennifer

Fachgebiete

• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Geschichte einzelner Länder Amerikanische Geschichte
• Geisteswissenschaften Kunst Fotografie Fotojournalismus

Inhaltsverzeichnis

AcknowledgementsList of illustrationsPreface: I was thereIntroduction1. Spectacle and Collective Memory2. Forever Seared: The Trauma of Photographic Seeing 3. Buildings Made Flesh: Notions of the Uncanny and the Real4. Reclaiming the Imagery that Haunted Us: Recovery, Community and Remembrance5. The Compulsion to Repeat: Photography as a Dead EndConclusion: Beyond WordsNotesReferencesIndex

Über Autor(innen)

Jennifer Good is Senior Lecturer in History and Theory of Photojournalism and Documentary Photography at London College of Communication, University of the Arts, London, UK.