Word of Mouth

Fama and Its Personifications in Art and Literature from Ancient Rome to the Middle Ages
Erscheinungsjahr 2017
ISBN: 978-0-19-872429-2
Verlag: Oxford University Press(UK)

Buch, Englisch, 458 Seiten, Format (B × H): 161 mm x 240 mm, Gewicht: 848 g

The concept expressed by the Roman term fama, although strictly linked to the activity of speaking, recalls a more complex form of collective communication that puts diverse information and opinions into circulation by 'word of mouth', covering the spreading of rumours, expression of common anxieties, and sharing of opinions about peers, contemporaries, or long-dead personages within both small and large communities of people. This 'hearsay' method of
information propagation, of chain-like transmission across a complex network of transfers of uncertain order and origin, often rapid and elusive, has been described by some ancient writers as like the flight of a winged word, provoking interesting contrasts with more recent theories that anthropologists and
sociologists have produced about the same phenomenon.

This volume proceeds from a brief discussion of the ancient concept to a detailed examination of the way in which fama has been personified in ancient and medieval literature and in European figurative art between the end of the fourteenth and the beginning of the sixteenth centuries. Commenting on examples ranging from Virgil's Fama in Book 4 of the Aeneid to Chaucer's House of Fame, it addresses areas of anthropological, sociological, literary, and
historical-artistic interest, charting the evolving depiction of fama from a truly interdisciplinary perspective. Following this theme, it is revealed that although the most important personifications were originally created to represent the invisible but pervasive diffusion of talk which circulates information about others, these then began
to give way to embodiments of the abstract idea of the glory of illustrious men. By the end of the medieval period, these two different representations, of rumour and glory, were variously combined to create the modern icon of Fame with which we are more familiar today.

Autoren/Hrsg.

Guastella, Gianni

Fachgebiete

• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: Byzantinisch
• Geisteswissenschaften Literaturwissenschaft Literaturgeschichte und Literaturkritik
• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Europäische Geschichte
• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: Völkerwanderung und Mittelalter
• Geisteswissenschaften Geschichtswissenschaft Alte Geschichte & Archäologie Geschichte der klassischen Antike

Über Autor(innen)

Gianni Guastella is Professor of Latin Language and Literature at the University of Siena. His research interests focus mainly on Roman theatre and its reception in the culture of the medieval and Renaissance periods. He has published widely on topics ranging from the theatre of Plautus, Archaic Latin metre, and the reception of Apuleius, to family relationships in the Roman world, including authored monographs on Terence's comedies and Seneca's tragedies, an edited
volume on the rediscovery of classical theatre in the Modern period, and commentaries on two of Suetonius' Lives of the Caesars.