Monstrous Forms

Moving Image Horror Across Media
Erscheinungsjahr 2019
ISBN: 978-0-19-091624-4
Verlag: OXFORD UNIV PR

Buch, Englisch, 272 Seiten, Print PDF, Format (B × H): 156 mm x 234 mm, Gewicht: 409 g

It makes us jump. It makes us scream. It haunts our nightmares. So why do we watch horror? Why do we play it? What could possibly be appealing about a genre that tries to terrify us? Why would we subject ourselves to shriek-inducing shocks, or spend dozens of hours watching a television show about grotesque flesh-eating monsters? Monstrous Forms offers a theory of horror that works through the genre across a broad range of contemporary moving-image media: film, television, videogames, YouTube, gifs, streaming, virtual reality. This book analyzes our experience of and engagement with horror by focusing on its form, paying special attention to the common ground, the styles and forms that move between mediums. It looks at the ways that moving-image horror addresses its audiences, the ways that it elicits, or demands, responses from its viewers, players, browsers. Camera movement (or "camera" movement), jump scares, offscreen monsters-horror innovates and perfects styles that directly provoke and stimulate the bodies in front of the screen. Analyzing films including Paranormal Activity, It Follows, and Get Out, videogames including Amnesia: The Dark Descent, Layers of Fear, and Until Dawn, and TV shows including The Walking Dead and American Horror Story, Monstrous Forms argues for understanding horror through its sensational address, and dissects the forms that make that address so effective.

Autoren/Hrsg.

Hart, Adam Charles

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio

Inhaltsverzeichnis

- Acknowledgments

- Introduction: Haunted Screens

- Part 1: The Sensational Address

- Chapter 1: Shocks to the System: How We Watch/Play/Browse Horror

- Chapter 2: I'M SCREEEEEEEEAMING: The Lowly Art of the Jump Scare

- Chapter 3: The Blackest Eyes. The Devil's Eyes: Horror's First-Person Camerawork Part 1: Killer POV.

- Chapter 4: The Blackest Eyes. The Devil's Eyes: Horror's First-Person Camerawork Part 2: The Searching Camera.

- Part 2: Scary Monsters (And Super Creeps)

- Chapter 5: The Monster Function

- Chapter 6: Monsters, and the Viewers Who Love Them

- Chapter 7: Monster Stories/Storied Monsters

- Epilogue: Three Ways of Looking at Horror

- Selected Bibliography

- Index

Über Autor(innen)

Adam Charles Hart grew up in Washington State and worked as a film programmer and arts administrator in Seattle before entering academia. His recent research encompasses the horror genre, the American avant-garde, documentary media, and global new waves. His writings have appeared or are forthcoming in The Journal of Cinema and Media Studies, Imaginations, Studies in the Fantastic, and Discourse, as well as the book collections A Companion to the Horror Film and Gothic Cinema. He currently lives in Pittsburgh, where he teaches at the University of Pittsburgh.