Buch, Deutsch, Band 22, 132 Seiten, Format (B × H): 155 mm x 235 mm, Gewicht: 263 g
Reihe: Cultural Animal Studies
A Philosophical Study
Buch, Deutsch, Band 22, 132 Seiten, Format (B × H): 155 mm x 235 mm, Gewicht: 263 g
Reihe: Cultural Animal Studies
ISBN: 978-3-662-72072-1
Verlag: Springer
This book explores the intricate relationships between film, spectators, and animal bodies through the lens of gesture. It offers a unique approach to understanding how the relations between human and nonhuman animals are not only depicted but also enacted by the medium of film. By examining gesture as an aesthetic and a medial device, the book presents a novel perspective on the potential of films to reveal the intimate, cognitive-affective ties between animal life, the moving image, and spectatorship.
Zielgruppe
Research
Autoren/Hrsg.
Fachgebiete
- Sozialwissenschaften Ethnologie | Volkskunde Ethnologie Kultur- und Sozialethnologie: Allgemeines
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio
- Geisteswissenschaften Philosophie Sozialphilosophie, Politische Philosophie
- Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Kulturwissenschaften
Weitere Infos & Material
Introduction.- Chapter 1: A Concept of Filmic Gesture.- 1.1 Evolutionary migration: Gestures of the body.- 1.2 Gesture and Play: The Aesthetic of the Living.- 1.3 Gesturing Towards the Future: Vilém Flusser.- 1.4 : A Case in Point.- 1.5 Two Other Takes on Gestures and Film.- Chapter 2: The Gesturing Body of Film.- 2.1 Vivian Sobchack’s Body of Film.- 2.2 Christiane Voss’ Surrogate Body.- 2.3 Raymond Bellour’s 2.4 Recapitulation: The Gesturing Body of Film.- Chapter 3: Gestures in the Film, Gestures of the Film.- 3.1 In and of the Film: Gesture and Diegesis.- 3.2 Animal Gestures in Film: Barbara Creed.- 3.3 Gestures of the Film: Bernhard Siegert.- 3.4 (Jessica S. Rinland, 2019).- Conclusion.- Bibliography.
