Art, Labour and American Life

1930-2020
Erscheinungsjahr 2024
ISBN: 978-3-031-41492-3
Verlag: Springer

Buch, Englisch, 299 Seiten, Format (B × H): 148 mm x 210 mm, Gewicht: 406 g

This book examines labour in the age of US hegemony through the art that has grappled with it; and, vice versa, developments in American culture as they have been shaped by work’s transformations over the last century. Describing the complex relations between cultural forms and the work practices, Art, Labour and American Life explores everything from Fordism to feminization, from whitecollar ascendency to zero hours precarity, as these things have manifested in painting, performance art, poetry, fiction, philosophy and music. Labour, all but invisible in cultural histories of the period, despite the fact most Americans have spent most of their lives doing it, here receives an urgent re-emphasis, as we witness work’s radical redefinition across the world.

Zielgruppe

Research

Autoren/Hrsg.

Hickman, Ben

Fachgebiete

• Geisteswissenschaften Kunst Kunst, allgemein
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio
• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Kulturwissenschaften

Inhaltsverzeichnis

Introduction: life after the avant-garde.- 1 Proletarian realism, proletarian modernism: life in the Thirties.- 2        The managerial avant-garde: Hannah Arendt, John Cage and Jackson Pollock.- 3 The labour of mid-century leisure: grace, time and pastoral in Frank O’Hara’s work poems.- 4 Extraordinary measures: work, race and violence from Umbra to Gary, Indiana.- 5 Performing women’s work: Linda Montano, Bernadette Mayer and Karen Finley.- 6 Life and death: illness, labour and writing from Audre Lorde to Anne Boyer.- 7 Labour value and the web of life: the new century’s poetics of scale.- 8 Life at zero hours: language, networks and precarity since 2008. 

Über Autor(innen)

Ben Hickman is Senior Lecturer in Modern Poetry and Director of the Centre for Modern Poetry at the University of Kent, UK, having studied at University College, London and the University of Kent. Recent publications include  John Ashbery and English Poetry  (Edinburgh University Press, 2012), and  Poetry and Real Politics: Crisis and the US Avant-Garde  (2016), also with EUP.