Buch, Englisch, 216 Seiten, Format (B × H): 170 mm x 249 mm, Gewicht: 708 g
Imitation, Reception, and Deceit in Early Modern Art
Buch, Englisch, 216 Seiten, Format (B × H): 170 mm x 249 mm, Gewicht: 708 g
Reihe: Visual Culture in Early Modernity
ISBN: 978-1-4094-3149-7
Verlag: Taylor & Francis Ltd
Autoren/Hrsg.
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Weitere Infos & Material
Contents: Introduction, Sharon Gregory and Sally Anne Hickson; Artistic devotion: imitations of art and nature in Italian Renaissance writings on art, Steven Stowell; 'Quel nuovo studio e fatica': Pontormo, Dürer and other prints, Sharon Gregory; 'Ad ogni maniera': Tintoretto imitates Veronese?, Allison Sherman; Imitation, emulation, forgery? Copies of Albrecht Dürer's Feast of the Rosegarlands, Andrea Bubenik; How copies may shed light on the reception of Raphael, Cathleen Hoeniger; Finding, fixing, and faking in Ghiberti's third Commentarii, Lynn Catterson; 'Antichissimo': authority, authenticity and duplicity in the 16th-century Roman antiquities market, Sally Anne Hickson; Giuseppe Orologi's Inganno - the art of deception and the deception of art, Sally Anne Hickson; 'Such is picture dealing': Noel Joseph Desenfans (1745-1807) and the perils of purchasing in 18th-century London, Kristin Campbell; Index.